Times Colonist

Daily concert of ships’ horns rumbles floors in N.L. capital

- SARAH SMELLIE

ST. JOHN’S, N.L. — On Friday, workers in downtown St. John’s, N.L. were startled from their midday slump by the flatulent, synchroniz­ed blasts of ships’ horns blaring out from the city’s harbour.

The Harbour Symphony is a musical performanc­e of sorts, whose players are the ships in the St. John’s harbour. It’s a mainstay of the city’s biennial Sound Symposium festival, which is celebratin­g its 20th anniversar­y after a pandemic-driven hiatus. Ten symphonies — one a day — are planned in conjunctio­n with the festival this year.

To some, the Harbour Symphony is a thunderous mess of boomps, barmps and woomps that make it impossible to carry on a conversati­on.

But to Delf Maria Hohmann, who has been co-ordinating and composing the symphonies since 2004, it’s a carefully planned and painstakin­gly timed musical compositio­n played by volunteers and captains aboard ships stationed in the city’s port.

“It’s not melodic,” Hohmann acknowledg­ed. “But don’t forget, there is a score. There is a structure there. It’s not chaos. It’s music.”

The busy St. John’s harbour is often home to sprawling factory fishing vessels, massive icebreaker­s, research ships, whale tour boats and freight vessels. The water is flanked on either side by steep hills — the south side is mostly woods, but the north side is an ascending grid of colourful city streets.

The layout makes for great acoustics, Hohmann said. “It’s like an amphitheat­re.” The bawling moans of the Harbour Symphony cause floor tremors in houses right up to the top of the hill.

To compose a symphony, Hohmann said he works with the St. John’s Port Authority and the coast guard to take an inventory of which boats are scheduled to be docked on symphony days and what their horns sound like.

“I’ve gone around to some of the ships and asked if they could just sound the whistle for a second,” he said, adding that most captains are happy to oblige.

He figures out their pitch, and what kind of notes they may be able to sustain, as well as how long it takes for the mostly pneumatic horns to hit their sweet spot. Then he starts composing the piece, mapping out what horn will blow at what time and for how long.

The Sound Symposium puts together teams of volunteer “players” who will hop onto the boats on symphony day to make sure the horns are blown at the right time, in the right way.

This year, the compositio­ns are about five minutes long. Hohmann said he recommende­d the composers write their pieces for six or seven ships.

There’s always a chance a ship may not be docked, or that the horn won’t sound properly, he added.

“I tell my players: ‘Push that button whenever you’re supposed to and do not worry about what comes out.’ I’d say 90 per cent of the cases, it’s all fine, but sometime it’s not,” he said, making a raspberry sound.

He sees the Harbour Symphony as an addition to the area’s unique sonic footprint, which already involves clanging cranes and freight containers, rumbling motors and a fog horn. “It seems to be part of the identity of the St. John’s harbour culture,” Hohmann said. Not everyone agrees.

“I feel bad for people who are sick or have babies,” Nicki Ryan wrote in a Facebook message. Ryan lives downtown next to the harbour, and she said the Harbour Symphony noise is just too much.

Elaine Pond said she enjoys the symphony’s weird, morose droning. “I like to go in my garden to hear it, and just take in the sounds and tones,” she wrote on Facebook.

A spokeswoma­n for the City of St. John’s said staff weren’t aware of any formal complaints lodged by the public against the symphony. But the Sound Symposium gets a fair number of angry messages about it, Hohmann said.

“You know, we read the complaints out on stage on the last night,” he said, grinning. His favourite complaint so far was from someone in the Battery neighbourh­ood, a scattering of old houses on the rocks at the harbour’s mouth.

“They said: ‘You call that music? All the dogs in the area howl along,’ ” he said. “Which was brilliant, because it shows there is definitely some understand­ing in the animal world of the Harbour Symphony.”

 ?? SARAH SMELLIE, THE CANADIAN PRESS ?? Delf Maria Hohmann has been composing and co-ordinating the harbour symphony in St. John’s since 2004.
SARAH SMELLIE, THE CANADIAN PRESS Delf Maria Hohmann has been composing and co-ordinating the harbour symphony in St. John’s since 2004.

Newspapers in English

Newspapers from Canada