Times Colonist

Japanese architect honoured for focus on community

- JOCELYN NOVECK

The Pritzker Architectu­re Prize has been awarded to Japan’s Riken Yamamoto, who earns the field’s highest honour for what organizers called a long career focused on “multiplyin­g opportunit­ies for people to meet spontaneou­sly, through precise, rational design strategies.”

Yamamoto, 78, has spent a five-decade career designing both private and public buildings — from residences to museums to schools, from a bustling airport centre to a glass-walled fire station — and prizing a spirit of community in all spaces.

“By the strong, consistent quality of his buildings, he aims to dignify, enhance and enrich the lives of individual­s — from children to elders — and their social connection­s,” the jury said, in part, in a citation released this week. “For him, a building has a public function even when it is private.”

In an interview from Yokohama, where he is based, Yamamoto said he was both proud and “amazed” to win the prize, seen as the Nobel of architectu­re, at this point in his career.

“Soon I will be 79 years old,” he said. “This prize is a big moment for me. In the near future I think many people will listen to me very carefully. Maybe I can say my opinion more easily than before.”

The architect explained that his craft is not simply to design buildings, but to design in the context of their surroundin­gs, and hopefully to impact the surroundin­gs as well.

A key example: Yamamoto’s virtually transparen­t Hiroshima Nishi Fire Station, designed in 2000, with a facade, interior walls and floors made of glass. The building invites the public to experience the daily activities of firefighte­rs, something it rarely sees. The result encourages passersby “to view and engage with those who are protecting the community, resulting in a reciprocal commitment between the civil servants and the citizens they serve,” organizers said.

Normally, Yamamoto said, a fire station would be built from concrete. He had a different perspectiv­e, which he submitted in a competitio­n with other architects.

“I proposed a very radical idea,” Yamamoto said. “The idea was that the fire house should be the centre of the community. Not only their fire work but their daily life should be the centre, because they are living at the place, for 24 hours they have activities.” He described firefighte­rs training with ropes and ladders in a central atrium visible from outside.

“Many young children come to see,” he said. “It’s very interestin­g for them.”

A more recent design with a similar concept is The Circle at Zurich’s airport, designed in 2020, a major commercial centre for shops, restaurant­s, hotels and a convention hall. Yamamoto said he aimed to create an open, 24-hour environmen­t, a space to welcome city residents as well travellers.

“I proposed a very open system,” he said, “no gate, no entrance, no door.” He said snow or rain sometimes enters the space via a partially open roof.

Another noted design is the Hotakubo housing project in Kumamoto, Japan, Yamamoto’s first social housing project, made up of 110 homes in 16 “clusters.”

“How do you make a community out of 110 family houses?” he mused in an interview about the 1991 design. “It is very difficult.” Most apartments, he noted, are boxes inside of a bigger box. “It’s very easy to create privacy, but very difficult to make a community because each house is independen­t,” he said.

The architect’s solution: a tree-lined plaza at the centre that can only be entered via a residence. In this way, he explained, he was able to combine the private with the public, giving individual families their privacy while promoting connection­s between them. Terraces also overlook the common space.

Yamamoto was born in China in 1945 and raised in Japan from early childhood. He said he first grew attracted to architectu­re while still in high school. He received a master’s degree in architectu­re from Tokyo University in 1971, and founded his own practice two years later.

Many of his ideas on community were inspired by three extensive trips he took early in his career — not to famous monuments but instead to villages around the world, he said, in Europe, North Africa, Latin America, the Middle East and Asia. In such villages, he examined the relationsh­ip of the family unit to the broader community and explored the idea of a “threshold” between public and private space. He also said he was inspired by the writings of philosophe­r Hannah Arendt.

A book by Yamamoto, The Space of Power, The Power of Space, is due to be published next month, an English translatio­n of his 2015 work.

Yamamoto, who lives and works in Yokohama and has held numerous teaching positions, is the 53rd laureate of the Pritzker Architectu­re Prize, establishe­d in 1979 by the late entreprene­ur Jay A. Pritzker and his wife, Cindy. Winners receive a $100,000 US grant and a bronze medallion.

 ?? TOMIO OHASHI, PRITZKER PRIZE ?? Yokosuka Museum of Art, designed by Riken Yamamoto, in Yokosuka, Japan. The 78-year-old has been awarded the Pritzker Architectu­re Prize for his long career.
TOMIO OHASHI, PRITZKER PRIZE Yokosuka Museum of Art, designed by Riken Yamamoto, in Yokosuka, Japan. The 78-year-old has been awarded the Pritzker Architectu­re Prize for his long career.

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