Toronto Star

JUSTIN TIMBERLAKE

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The 20/20 Experience — 2 of 2 (RCA)

(out of 4) Turns out that hindsight is 40/40.

After musically resurfacin­g in the spring with the tepid first volume of The 20/20 Experience, the tandem of golden voice Justin Timberlake and producer Tim “Timbaland” Mosley is hoping to compensate on 2 of 2 by pumping up the adrenalin factor.

But does livening up a sequel with slightly aggressive rock, heavier beats and more pronounced electronic grooves make for a better effort?

It only takes the second song, “True Blood,” for a past mistake to return to haunt the two Tims: a 9and-a-half minute marathon that could have easily been snipped at t he 6: 30 mark. Even though t he subject matter of the 12 songs here is about as flossy as Timberlake’s GQ spread in the CD booklet, what arguably favours 2 of 2 over its predecesso­r are his lack of concern with retrofitti­ng and some memorable melodies.

The previously explored topics of love, lust, heartbreak and romantic head games are complement­ed by tighter melodies and choruses, and good ones abound: the sonic slap of “Only When I Walk Away” boasts a can’t-miss chorus that sticks in the craw; “Drink You Away” combines killer, gospel-tinged guitar-and-organ interplay with a clever lyrical reference regarding an alcohol-induced Jack and Jill nursery rhyme couplet. “Cabaret” invites our own Raptors ambassador Drake to throw a couple of choruses about a sexual têteà-tête amidst a melee of scattersho­t rhythms; “Take Back the Night” finds Timberlake fleshing out old school R&B with appetizing string arrangemen­ts, and “Amnesia” offers a hypnotic groove whose only misstep is overextens­ion by about 90 seconds or so. If you overlook producer Timbaland’s inflated kitchen-sink production 2 of 2 provides slightly more nutrition than the first 20/20 Experience. But if JT represents the modernday standard of R&B, a serious reexaminat­ion of soul music is in order. N.K.

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