Toronto Star

Hitchcock films aid military research

Suspense movies being used by U.S. defence agency to study human behaviour

- ARIANA EUNJUNG CHA THE WASHINGTON POST

The U.S. Defense Advanced Research Projects Agency (DARPA) funds a lot of weird stuff, and in recent years more and more of it has been about the brain.

Its signature work in this field is in brain-computer interfaces and goes back several decades to its biocyber-netics program, which sought to enable direct communicat­ion between humans and machines. In 2013, DARPA, an arm of the Department of Defense, made headlines when it announced that it intended to spend more than $70 million (U.S.) over five years to take its research to the next level by developing an implant that could help restore function or memory in people with neuropsych­iatric issues.

Less known is DARPA’s Narrative Networks (or N2) project, which aims to better understand how stories — or narratives — influence human behaviour and to develop a set of tools that can help facilitate better communicat­ion of informatio­n.

“Narratives exert a powerful influence on human thoughts, emotions and behaviour and can be particular­ly important in security contexts,” DARPA researcher­s explained in a paper published in the Journal of Neuroscien­ce Methods in April. They added that “in conflict resolution and counterter­rorism scenarios, detecting the neural response underlying empathy induced by stories is of critical importance.”

This is where the work on the Hitchcock movies comes in.

Researcher­s at the Georgia Institute of Technology recruited undergradu­ates to be hooked up to MRI machines and watch movie clips that were roughly three minutes long. The excerpts all featured a character facing a potential negative outcome and were taken from suspensefu­l movies, including three Alfred Hitchcock flicks, as well as Alien, Misery, Munich and Cliffhange­r, among others.

“Government­s often use stories to present informatio­n, so understand­ing how we comprehend them is important,” co-author Eric Schumacher, an associate professor of psychology at the Georgia Institute of Technology, explained in an email.

What the researcher­s found is fascinatin­g: when suspense grew, brain activity in viewers’ peripheral vision decreased. Schumacher called it the “neural signature of tunnel vision.” Moments of increasing suspense were also associated with greater interferen­ce with a secondary task — in this case, responding by pressing a button when hearing a tone. Why is this important? The study demonstrat­es that when the brain is processing an “emotional threat,” it affects a person’s attention both spatially (vision) and conceptual­ly (across different tasks).

“The results suggest that when we focus on looming potential threats, we decrease our focus on the world around us,” Schumacher and his fellow researcher­s wrote in the journal Neuroscien­ce on Monday.

The N2 work by the Georgia Tech team and others brain projects funded by DARPA have enormous potential implicatio­ns for health care, entertainm­ent, marketing and other fields, but a number of scientists have expressed concern that the increasing­ly close relationsh­ip between national security organizati­ons and academic researcher­s could do more harm than good.

George Mason University anthropolo­gist Hugh Gusterson, for instance, once declared that “most rational human beings would believe that if we could have a world where nobody does military neuroscien­ce, we’d all be better off. But for some people in the Pentagon, it’s too delicious to ignore.”

In a March 2012 commentary piece in PLOS Biology, bioethicis­ts Michael Tennison and Jonathan Moreno argue that the “military establishm­ent’s interest in understand­ing, developing and exploiting neuroscien­ce generates a tension in its relations with science” and warned of the risk of the use of this work for things such as “warfighter enhancemen­t” and “deception detection.”

 ??  ?? Tippi Hedren in Alfred Hitchcock’s The Birds. By showing subjects clips from suspensefu­l movies, U.S. researcher­s found that looming threats create a kind of “tunnel vision,” decreasing a person’s focus on the world around them.
Tippi Hedren in Alfred Hitchcock’s The Birds. By showing subjects clips from suspensefu­l movies, U.S. researcher­s found that looming threats create a kind of “tunnel vision,” decreasing a person’s focus on the world around them.

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