Toronto Star

Mr. Chow from The Hangover gets a sitcom

- Tony Wong

BEVERLY HILLS, CALIF.— Ken Jeong may have single-handedly set back the image of Asian Americans in cinema with his portrayal of the hyperactiv­e gangster Mr. Chow on The Hangover. The effeminate, drug-addled Chow had elements of Charlie Chan mixed in with some early Fu Manchu and not a little Bugs Bunny, all seemingly hopped up on speed. Now the comic (who also memorably plays Ben Chang on Community) is portraying the most convention­al Asian character imaginable: a doctor on the new fall ABC sitcom Dr. Ken.

In this case, Jeong has rare credibilit­y. He happens to be a physician.

“It’s great that the public can accept me in these extreme roles like Mr. Chow and now they get to see me play something a little more grounded, a little more personal based on my own experience­s as a doctor,” Jeong said in an interview with the Star.

Jeong’s show is the second Asian American comedy to feature a primarily Asian cast. ABC also debuted Fresh Off the Boat last fall. And it comes 21 years after Margaret Cho’s landmark All American Girl featured a primarily Asian cast. That sitcom ended disastrous­ly with the actress clashing with the network over issues of authentici­ty.

This time around Jeong, as the creator, executive director and star of the show, says he has “unpreceden­ted creative input.” The halfhour comedy series is loosely based on Jeong’s life. He was a practising physician with a medical degree from the University of North Carolina at Chapel Hill. His wife is also a doctor and still works part-time.

In the show, his character’s wife is a psychiatri­st, played by comic Suzy Nakamura. Canada’s Dave Foley ( Kids in the Hall, Spun Out) is a snarky hospital administra­tor.

Jeong, who moonlighte­d as a standup comedian while doctoring, said he misses his patients. “I still keep in touch with them on Facebook.”

Jeong’s first major break was in Judd Apatow’s Knocked Up, also playing a doctor. But it wasn’t until he was cast as the diminutive gangster Mr. Chow in The Hangover that he burst into public view. And he says unapologet­ically that it is his proudest work yet, despite the fact it deliberate­ly reinforces stereotype­s.

Jeong defends his characteri­zation, saying the role is meant to be an ironic send-up of Asian tropes.

“You really play it so hard you actually burst through that stereotype,” Jeong said. “You commit the whole nine yards and don’t apologize for anything. Play it with conviction. I obviously don’t talk like Mr. Chow and I’m not an internatio­nal criminal.”

Fans of Mr. Chow may be disappoint­ed with Dr. Ken. There are no crazy, 10-gallon hats and Jeong does not speak in slurs.

The premiere episode has Jeong installing a daughter tracker app on his child’s smartphone. In other words, he is a thoroughly convention­al parent, Asian or otherwise.

Unlike Fresh Off the Boat, which is based on the memoirs of celebrity chef Eddie Huang, the characters do not talk with accents nor are they stuck in a ’90s time warp.

In that sense, Dr. Ken may do more to normalize the image of Asians on TV than Fresh Off the Boat.

It is more a star vehicle with characters who happen to be Asian than a show specifical­ly about being Asian.

Jeong says his show wouldn’t be on the air if not for All American Girl, Fresh Off the Boat and the cancelled TBS show Sullivan & Son, which featured a Korean male lead.

“Each of those shows paved the way,” said Jeong. “And I think collective­ly we help each other in so many ways. We are all part of something that’s cool, that’s reflecting our society out there.”

As Jeong says: “I think it’s a marathon, not a sprint. Look, I’m very different from Margaret Cho or Randall Park or John Cho. We need to show that there is diversity even within the Asian community. That there is more than one ‘type’ of Asian. If we do just that, then maybe we’ve gotten somewhere.”

 ??  ?? Actor/director Ken Jeong is set to portray ‘the most convention­al Asian character imaginable.’
Actor/director Ken Jeong is set to portray ‘the most convention­al Asian character imaginable.’
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