Toronto Star

Taking a tour of the ‘intestines of Paris’

Never mind Versailles and the Eiffel Tower: For a marvel of Parisian design, see the sewer museum

- MICHELLE LOCKE THE ASSOCIATED PRESS

PARIS— Forget the gardens, galleries and French fashion. When I want to be impressed by Parisian design I head to the Musée des Égouts, a.k.a. the Sewer Museum.

Sure, not everyone gets the appeal of the city’s subterrane­an spectacle. But, as tour guide Jean-Charles Pintori put it, “They are wrong.” I happened to stop by the museum on a summer day when temperatur­es soared over100 degrees, and I wondered if the gritty reality of Paris’s underbelly might be a little overpoweri­ng.

In fact, it was one of the best places to be as Paris sizzled. Tucked deep undergroun­d, the museum maintains an even temperatur­e and the ambience, while a little smelly in parts, is not overwhelmi­ng. In some areas, the air is quite fresh and with the artfully lit galleries and exhibits, you almost wouldn’t know where you were. Almost.

Walking past a canal, its dark surface prettily reflecting the glow of tunnel lights, I saw tiny bubbles popping on the surface, creating an effervesce­nt sparkle. They turned out to be escaping methane gas. Exhibits trace the history of Parisian sewage from the Middle Ages, when streets had drains for waste water in the middle, to the current incarnatio­n, which got a major overhaul in the mid-19th century under the supervisio­n of city planner extraordin­aire Baron Haussmann and engineer Eugène Belgrand.

The current system is unusual in that it also includes conduits for drinking water, handles rain runoff and houses telecommun­ications cables.

Displays of equipment, some antique, some current, show the tools used to keep the tunnels clear; workers remove about 15,000 cubic metres of solid waste per year.

It’s a tough job. Still, there are some families who have worked in the sewers for generation­s and are proud of their public service. Most are men, but there are also about a half-dozen women.

Writer Victor Hugo called the sewers “that wonderful undergroun­d city” and used them as the setting for Jean Valjean’s dramatic rescue of Marius in Les Misérables. You’ll find a picture of the rescue in a corner of the museum along with a map showing the sewers as they were at the time the novel was set.

People aren’t the only creatures travelling these tunnels, as a glass case full of stuffed rats indicates. We paused at a storm drain to see if we could spot one on my tour. I am happy to report that we didn’t.

A display of antique swords caught my eye. Apparently at some point, someone somewhere tossed them and into the gutters they went.

As Pintori pointed out, the sewers are “the intestines of Paris. Everything comes through here.”

Modern-day Parisians are more likely to lose keys than fencing foils down storm drains. If that happens, there’s a number you can call to ask a worker to go look for your lost possession­s. Officials report they perform up to 3,000 such operations per year with an 80 per cent success rate.

Like all good museum tours, this one ends at the gift shop where you can buy mementoes of your visit including stuffed (toy) rats.

Unlike most museum tours, departing visitors are admonished to wash their hands, to ensure they leave with nothing but memories.

 ?? MICHELLE LOCKE/THE ASSOCIATED PRESS ?? A picture at the Paris Sewer Museum depicts the scene in Victor Hugo’s novel Les Misérables, in which Jean Valjean rescues Marius by carrying him through sewers.
MICHELLE LOCKE/THE ASSOCIATED PRESS A picture at the Paris Sewer Museum depicts the scene in Victor Hugo’s novel Les Misérables, in which Jean Valjean rescues Marius by carrying him through sewers.
 ?? MICHELLE LOCKE PHOTOS/THE ASSOCIATED PRESS ?? A glittering canal in the Paris Sewer Museum.
MICHELLE LOCKE PHOTOS/THE ASSOCIATED PRESS A glittering canal in the Paris Sewer Museum.
 ??  ?? The opening of a storm drain carrying rain runoff into the Paris sewer system.
The opening of a storm drain carrying rain runoff into the Paris sewer system.

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