Toronto Star

Mexicans take revenge on Trump in hit new play

Comedians call production ‘a social critique’ of elitists

- JOSHUA PARTLOW

MEXICO CITY— The first taste the Mexican audience gets of Donald Trump is his golden head speaking from the face of a giant $100 (U.S.) bill, calling them frijoleros (beaners) and bragging about the wall that will block them from setting foot in the United States.

Trump and his bewigged followers only get more cartoonish­ly evil from there: tossing crumpled up bills at servants and drinks in waiters’ faces, stealing from the blind, bribing the police, while snorting mountains of cocaine and ingesting exotic cures for impotency.

Such is the latest Mexican revenge against the Republican presidenti­al candidate, a popular play by a group of Mexican comedians called Los Hijos de Trump, or Sons of Trump, that has been playing in Mexico City’s Aldama Theatre. It’s another riposte in Mexicans’ ongoing rebuttal to the candidate who launched his campaign by declaring that Mexican immigrants were criminals and rapists. From bashable Donald Trump pinatas to Halloween masks with swooping manes, the candidate has often been met with mockery.

“Mexicans laugh at our tragedies,” said German Ortega, one of the stars of the play.

Sons of Trump is an adaptation of a show called Brokers, written by a Spanish comedy troupe, that skewers the lives of the superrich. The actors involved are all quick to point out that they aren’t representi­ng the antics of the real-life Donald or pursuing an explicitly political agenda.

“This is a social critique, in general, of the elitists,” said Freddy Ortega, German’s brother and fellow longtime television comedian, who also stars in the show. But the oversized Trump face beaming from billboards and the theatre marquee hasn’t hurt interest. “It’s had a marvellous result.”

As long as Trump continues to hover near the top of the polls, Mexicans will be eagerly, and trepidatio­usly, following his campaign. The U.S. presidenti­al race always attracts interest here, but it is rare for a candidate to make Mexico so central to his platform. Since Trump began with slights against Mexican immigrants and then doubled down with proposals for mass deportatio­ns and stripping citizenshi­p from illegal immigrants’ children, he has come to loom in the Mexican imaginatio­n as a gringo bogeyman.

In recent months, several Mexican businesses have called off projects with him because of his comments, including billionair­e Carlos Slim’s Ora TV production company and the Mexican entertainm­ent giant Televisa, which decided against broadcasti­ng his Miss Universe pageant.

Mexican newspapers have been inspecting Trump’s new book, Crippled America: How to Make America Great Again, for clues about his plans for their country if he becomes president. (Trump writes that he would increase fees for border crossing cards and temporary visas or impound remittance­s to pay for the border wall he wants to build.)

There is no shortage of indignatio­n about such proposals. A group of 67 Latin American artists, writers, actors and scientists this week published an open letter about the “hateful discourse of Trump” and called on people to “remember the historic campaigns against other ethnic

“More than anything else it set off something really cool for Latinos: unity. (Donald Trump) has been able to bring together the Mexican people and all Latinos.” GERMAN ORTEGA ACTOR

groups that ended with millions dead.”

The Nobel-winning Peruvian novelist Mario Vargas Llosa, one of the signatorie­s, told an audience at a literary festival in Houston last week that Trump’s comments about immigrants were “intolerabl­e.”

“Attacking immigrants in a country that was built by immigrants is a contradict­ion that offends the best tradition of the United States as an open society,” Vargas Llosa said. “You have to be very critical and severe with someone who at this time, after all the terrible lessons that history has taught us about the consequenc­es of racism, dares to use such arguments that appeal to the worst entrails of human beings.”

Sons of Trumphappi­ly roots around in those entrails as it goofily satirizes capitalist pigs. The Trump character functions in the play as the patron saint of the filthy rich, encouragin­g his look-alike “sons” — often by means of a spooky disembodie­d voice — to cheat, steal or kill their way to pecuniary glory. He’s the apotheosis of all the deadly sins, with special attention to gluttony and greed. Most of the play is unspoken, as the actors clown around and pantomime their jokes.

Offstage, the actors agree with the widespread Mexican repudiatio­n of Trump’s anti-immigrant talk, but they also don’t take him too seriously.

“I don’t identify with what the man says,” Freddy Ortega said before a weekend performanc­e. “To think that we have the monopoly on thieves and rapists and drug dealers, I think that’s quite wrong. I would answer him: Isn’t your country considered the largest consumer of drugs?”

His brother, German, thinks that the overwhelmi­ng reaction to Trump has been rejection.

“More than anything else it set off something really cool for Latinos: unity,” he said. “He’s been able to bring together the Mexican people and all Latinos.”

The play will be touring Mexico and making stops in Texas. In some ways, the actors noted, Trump might actually appreciate their performanc­e.

“His strategy, his media campaign, it’s all a show, no?” Freddy Ortega said.

 ?? HENRY ROMERO/REUTERS ?? In Sons of Trump, a big hit in Mexico City, the Donald Trump character functions as the patron saint of the filthy rich.
HENRY ROMERO/REUTERS In Sons of Trump, a big hit in Mexico City, the Donald Trump character functions as the patron saint of the filthy rich.

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