Toronto Star

Gervais’ Golden Globes performanc­e may mark end of cringe comedy

Where Curb Your Enthusiasm and The Daily Show made us squirm, Amy Schumer and Aziz Ansari are making us think

- STEPHANIE MERRY THE WASHINGTON POST

Are we done with cringe comedy yet? It would appear that way after Ricky Gervais’ ho-hum performanc­e at the Golden Globes. The patron saint of squirm-inducing quips ridiculed Mel Gibson, Charlie Sheen, Donald Trump and Ben Affleck, among others.

Jaws were dropping, but mostly to yawn. Viewership was down 4 per cent compared with last year, during Tina Fey and Amy Poehler’s comparativ­ely good-natured show. And those who did tune in weren’t exactly rolling on the floor.

Gervais’ monologue was “proof that jokes about transgende­r people . . . have lost most of their potency,” the Washington Post’s Hank Stuever wrote. According to the New York Times, Gervais “risks becoming a Ricky Gervais tribute band dutifully smashing his guitar on cue.”

“When was the last time the Globes were this painful to watch?” Entertainm­ent Weekly wondered.

The reaction shows that comedy that induces discomfort has become passé. In its place, a new trend has sprouted: jokes that make you ponder rather than wince. Practition­ers include buzzy names such as Amy Schumer, Aziz Ansari, Jordan Peele, Keegan-Michael Key and Issa Rae.

We used to not mind being tortured by our entertainm­ent. Curb Your Enthusiasm debuted in 1999, two years before Gervais’ breakout hit The Office. Sacha Baron Cohen’s Da Ali G Show first arrived onscreen in 2000, paving the way for more gotcha-fuelled humiliatio­n with Borat and Bruno, and the roving correspond­ents of The Daily Show have been prompting nervous laughter from the start.

But humour has evolved. Where cringe comedy takes everyday situations and transforms them into demoralizi­ng nightmares, the new jokesters make shameful experience­s a little less mortifying.

Take, for example, the first episode of Aziz Ansari’s Netflix series Master of None. The show starts with Ansari’s character Dev accompanyi­ng a one-night stand to the drugstore to buy a Plan B pill after a condom mishap. Rather than revel in discomfort, Dev acts like it’s no big deal. He diffuses the situation with a few light jokes and an effervesce­nt appreciati­on for Martinelli’s apple juice.

One Golden Globes bit that perfectly encapsulat­ed comedy right now came from presenters America Ferrera and Eva Longoria.

“Hi, I’m Eva Longoria, not Eva Mendes,” Longoria said. “And, hi, I’m America Ferrera, not Gina Rodriguez,” the Superstore actress added. “And neither of us is Rosario Dawson,” Longoria explained. Ferrera: “Well said, Selma.” Longoria: “Thank you, Charo.”

The joke was on the Hollywood Foreign Press Associatio­n. Ferrera was tapped to announce the nominees last month, but the Globes Twitter account confused her with Rodriguez, another Latina actress. So Ferrera and Longoria drew attention to the fact that — sigh — this happens all the time. The women threw some shade while demonstrat­ing how to tell a joke that makes people think rather than recoil.

Gervais’ performanc­e was the opposite. He singled people out to put them down. Viewers ripped him apart but, in truth, he’s the same guy he’s always been. His gimmick hasn’t changed. Cultural sensibilit­ies have.

Comedy that brings discomfort is passé, while jokes that make people ponder rather than wince are the new trend

 ??  ?? Ricky Gervais helped pioneer cringe humour on The Office, but his brand of comedy is on the way out.
Ricky Gervais helped pioneer cringe humour on The Office, but his brand of comedy is on the way out.

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