Toronto Star

LANDSCAPE ART GOES BEYOND HORIZONS

- MURRAY WHYTE VISUAL ARTS CRITIC

Steve Driscoll doesn’t mind admitting it took a little convincing for his dealer, Jamie Angell, to agree to have his gallery flooded with three inches of inky black water. “That and a few beers,” Driscoll laughs. As he does, he’s pulling on boots to step into the same water in his studio, which he’s filled up as a not-so-dry run for his show there on April 29. You get the idea: as a landscape painter, Driscoll’s not so married to romantic notions of plein-air impression­ism so much as he is tuned to his very contempora­ry times. The pond, complete with boardwalk, acts as a re- flecting pool for Driscoll’s day-glo compositio­ns. Despite their scale, Driscoll paints them in a single day (mostly; Shore, a nine-by-40-foot behemoth, seen here, took two). That’s largely due to the fast-drying properties of his medium, a pigmented urethane that gives the work its artificial sheen. It helps place him in a genre of one: a landscape action painter. And working in the commercial advertisin­g printing standard CMYK colour range, Driscoll brings landscape practice right up to the here and now. Just a Sliver of the Room, new paintings by Driscoll, opens at Angell Gallery, April 29, 1444 Dupont St., Unit 15 (angellgall­ery.com).

 ?? ANDREW FRANCIS WALLACE PHOTOS/TORONTO STAR ?? Steve Driscoll in his west-end studio, complete with reflecting pool he installed for his show at Angell Gallery. On right, Shore, his eight-panel landscape that measures nine by 40 feet.
ANDREW FRANCIS WALLACE PHOTOS/TORONTO STAR Steve Driscoll in his west-end studio, complete with reflecting pool he installed for his show at Angell Gallery. On right, Shore, his eight-panel landscape that measures nine by 40 feet.
 ??  ?? This cart is in Driscoll’s painting room, which is outfitted with a restaurant ventilatio­n system to remove toxic gases from his materials. Working with pigmented urethane, Driscoll is essentiall­y taming fast-drying liquid, meaning he has to paint with...
This cart is in Driscoll’s painting room, which is outfitted with a restaurant ventilatio­n system to remove toxic gases from his materials. Working with pigmented urethane, Driscoll is essentiall­y taming fast-drying liquid, meaning he has to paint with...
 ??  ?? The Sky Was Beautiful on Fire, Driscoll’s painting of northern lights, is doubled in the reflected pool he installed in his studio so he could accurately preview his upcoming show at Angell Gallery. The artist worked in constructi­on before breaking...
The Sky Was Beautiful on Fire, Driscoll’s painting of northern lights, is doubled in the reflected pool he installed in his studio so he could accurately preview his upcoming show at Angell Gallery. The artist worked in constructi­on before breaking...
 ??  ?? A nine-by-13-foot two-panel piece, Yard Up the Street.
A nine-by-13-foot two-panel piece, Yard Up the Street.

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