Toronto Star

A Visual Feast of Haute Couture from Ancient China

Shen Yun displays exquisite culture of fashion 5,000 years in the making

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Fashion was serious business in ancient China. The right clothes gave off an aura of refinement and dignity. Traditiona­l clothing embodied the virtues of Chinese antiquity and contribute­d to the culture’s perception of self.

For thousands of years, generation­s of designers made fashion a fine art, and their creations also became an important component of Chinese culture.

Shen Yun Performing Arts, a New York-based group that tours globally each season, showcases not only the dance and music of 5,000 years of Chinese history and culture, but also features the art of fashion. Each dance is a veritable fashion show in and of itself, consisting of the handmade haute couture reaching across China’s vast geographie­s and throughout its periods of history.

Dressing for Harmony

Hanfu, the clothing of China’s ethnic majority, consisted of hundreds of variations. The garments were characteri­zed by loose gowns, wide sleeves, and flat, open collars folded over to the right. Rather than using buttons or strings, most were kept in place by a sash belt. High hats and wide belts were distinguis­hing marks of scholars and officials.

In “The Book of Changes,” or “Yijing,” a passage praises the three sovereigns—the Yellow Emperor, Yao, and Shun—for “ruling with their arms hanging in their sleeves.”

These early rulers valued harmony between heaven and earth. As a result, the country stayed largely peaceful, and they governed without worries, their hands literally tucked away as they watched the years pass.

Ethnic Attire

Ethnic attire is as diverse as Chinese culture itself, with great disparitie­s based on region or ethnicity. The 55 ethnic minorities located throughout the country display a multitude of styles and an extensive range of colours. Historical­ly, the country’s vastness, along with the great contrasts in geography and climate, led to the various groups developing very different forms of dress and adornment. For example, the Tibetan people adapted to their environmen­t with warm and insulating clothing that is also suitable to their itinerant lifestyle.

The symbolic Tibetan chuba, made from sheepskin, is a long coat that is both practical and fashionabl­e. The coat is large and loose with big open sleeves that can be rolled up in the heat of the day and used as a bedcover at night.

Traditiona­l Manchurian Apparel

Around the world, one of the garments most often associated with Chinese dress is the qipao. Also called the cheongsam or Mandarin gown, it is distinguis­hed by its high collar, narrow waist, and slit skirt. It can be worn long or short.

But actually, the qipao is not a Han Chinese invention—it is the traditiona­l apparel of the Manchurian people, who ruled China during its last dynasty, the Qing. Manchu qipaos favoured hues of blue and pink, with hems and borders in auspicious white.

Artistic Inspiratio­n

These costumes and many more can be seen in a Shen Yun performanc­e. Shen Yun’s costume artists collect countless designs of traditiona­l attire and recreate hundreds of new pieces each season, all in an array of eye-catching colours. Every detail is given meticulous attention and is a result of artistic inspiratio­n and careful polishing.

The designers stress harmonic balance and contrast. Their objective is an authentic presentati­on of the attire that comes from China’s divinely inspired traditiona­l culture, and a consummate stage effect.

Shen Yun returns to Toronto in February 2017 for its 11th season, gracing the stage for the first time at the acclaimed Four Seasons Centre. As part of the Canadian tour, it will also perform in Kitchener, Hamilton, and Mississaug­a in the GTA starting Dec. 29. For more informatio­n, visit ShenYun.com/GTA.

 ??  ?? Ascene from Shen Yun’s “Ladies of the Manchu Court,” reflecting imperial women’s fashion during the Qing Dynasty (1644-1911).
Ascene from Shen Yun’s “Ladies of the Manchu Court,” reflecting imperial women’s fashion during the Qing Dynasty (1644-1911).
 ??  ?? Adancer in elegant Tang Dynasty (618-907) attire emanating grace and refinement.
Adancer in elegant Tang Dynasty (618-907) attire emanating grace and refinement.

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