Toronto Star

TIFF NEXT WAVE REELS IN YOUNG MOVIE BUFFS

Family Day weekend programmin­g honours teens with free access to regular screenings

- JASON ANDERSON jandersone­sque@gmail.com

TIFF Next Wave: There’s most definitely no cooler (or cheaper) way for movie-obsessed teens to spend Family Day Weekend than making the most of the action at TIFF Next Wave. From Friday to Sunday, the TIFF Bell Lightbox hosts its sixth annual festival of films and events for viewers and aspiring auteurs aged 14 to 18. And if you’re 25 or under, you get free admission to all regular screenings and to the five titles in the fest’s day-long “Freaks and Geeks” movie marathon. (Note to teens: please don’t gloat when you see older patrons shelling out for tickets — they’re sensitive enough about their age without you having to remind them of their decrepitud­e.)

Among the fresher fare at TIFF Next Wave are two strong new Canadian features that focus on young characters. The first feature to ever be shot in the Atikamekw language, Before the Streets is a powerfully stirring and visually distinctiv­e drama that director Chloé Leriche made in collaborat­ion with youngsters in the Atikamekw communitie­s north of Montreal. It screens on Saturday, followed by a Q&A with Leriche and actor Kwena Bellemare-Boivin, whose performanc­e garnered one of the film’s six Canadian Screen Award nomination­s. Quebecois actor-filmmaker Yan England also presents his debut feature 1:54 — a coming-of-age tale whose cast includes Sophie Nélisse of Monsieur Lazhar and Mean Dreams — on Sunday. In addition to the screening slate, TIFF Next Wave presents such popular events as the Battle of the Scores, in which teams of high schoolers play their original scores for short films live for an audience of peers and judges on Friday. Newbie filmmakers can also connect with industry profession­als (and each other) at the Young Creators Co-Lab, thereby bringing levels of youthful enthusiasm at the Lightbox to possibly dangerous levels.

My Scientolog­y Movie: A British journalist with a wry wit and a boundless interest in the weirder corners of society, Louis Theroux is not the first skeptical investigat­or to turn his attention to the Church of Scientolog­y, but he may be the funniest. A Hot Docs favourite that returns for a run at Bloor and Bathurst this week, My Scientolog­y Movie depicts Theroux’s efforts to discover more about the mysterious inner workings of the church made famous by Tom Cruise. His quixotic quest includes many strange encounters with present and former high-ranking members and several twists that no screenwrit­er could concoct. (The cameo by Paz de la Huerta is a real doozy.) My Scientolog­y Movie plays at the Hot Docs Ted Rogers Cinema Friday through to the following Thursday.

Fanny’s Journey: In 1943, a 13-yearold girl named Fanny Ben Ami was living with her younger sisters in a foster home for Jewish children in Nazi-occupied France. When their situation worsened, it was up to her to lead a group of kids on a perilous trip to safety in Switzerlan­d. Ben Ami’s extraordin­ary true-life tale became the basis for Fanny’s Journey, a French-Belgian drama by director Lola Doillon that plays the Toronto Jewish Film Festival’s Chai Tea and a Movie program — it screens twice on Sunday at Cineplex’s Empress Walk location. How Heavy This Hammer launch: A recent finalist for the Toronto Film Critics Associatio­n’s prize for the best Canadian film of 2016, Kazik Radwanski’s drama How Heavy This Hammer arrives on iTunes on Tuesday. To mark the occasion, the film plays the Royal on Saturday in a program that includes a cast and crew Q&A and shorts by three more of the Canadian film scene’s most impressive new talents, including recent TFCA prizewinne­r Ashley Mackenzie and Kevan Funk, whose debut feature Hello Destroyer opens in Toronto on March 10.

In Brief:

The Royal launches a new series on campy black cinema with the 1974 martial-arts/blaxploita­tion classic

Black Belt Jones on Friday. Local film artist Kelly O’Brien presents a program of works and a live performanc­e at CineCycle on Saturday.

A profile of the first African-American animator ever hired by Disney,

Floyd Norman: An Animated Life plays the Hot Docs Ted Rogers Cinema’s Doc Soup Sundays this Sunday with a Q&A with Norman and the filmmaker to follow.

Cineplex’s Exhibition On Screen program gets Impression­ist-ic with the new doc I, Claude Monet on Wednesday through to Feb. 26 at participat­ing locations.

Warren Beatty, Julie Christie and Robert Altman prove just how sad a western can be when McCabe and

Mrs. Miller plays the Royal’s Ladies of Burlesque night on Wednesday.

 ??  ?? Before The Streets is the first feature to be shot in the Atikamekw language.
Before The Streets is the first feature to be shot in the Atikamekw language.

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