Toronto Star

KEY CHANGES

Spotify and Universal renew their licensing deal with concession­s from both,

- BEN SISARIO THE NEW YORK TIMES

After two years of on-and-off negotiatio­ns, Spotify and the world’s biggest record company have finally agreed to a licensing deal that paves the way for Spotify to go public and gives the music industry more flexibilit­y in how new albums are streamed.

Spotify’s agreement with the Universal Music Group — whose hundreds of artists include Drake, U2, The Weeknd and Lady Gaga — is a global, multi-year deal, the companies announced Tuesday.

Spotify’s licensing contracts with all three major record companies had long since expired, and Universal’s deal, the first to be renewed, will put pressure on the other major labels, Sony and Warner, to follow suit.

For Spotify, the deal removes a major obstacle to going public. The streaming music company, which has been valued by investors at more than $8 billion (U.S.), has by far the largest service of its kind, with 50 million paying subscriber­s and at least another 50 million who listen to music on Spotify’s free tier, which has advertisin­g.

But without contracts in place guaranteei­ng the presence of the music on its service — Universal controls around a third of all music sales around the world — the company would have difficulty attracting investors on the public markets.

In 2015, its most recently disclosed period, Spotify had $2.2 billion in revenue but lost $194 million.

The Universal deal includes a concession that the music industry has long sought, and which Spotify has fought hard against: The service will now let Universal and its artists withhold new releases for two weeks from its free tier, which pays far lower royalties than the paid version.

Spotify’s refusal to offer this flexibilit­y was one of the reasons that Taylor Swift removed her music from the service in late 2014, an episode that exposed to the public the tensions underlying the streaming revolution.

“Starting today, Universal artists can choose to release new albums on premium only for two weeks, offering subscriber­s an earlier chance to explore the complete creative work, while the singles are available across Spotify for all our listeners to enjoy,” Daniel Ek, the CEO and co-founder of Spotify, said in a statement.

In exchange, Spotify is getting a concession of its own: a reduction in royalty rates. The companies did not disclose the financial terms of the new contract, but according to three people briefed on its terms, the deal allows Spotify to cut the royalties it pays for Universal’s recordings to about 52 per cent, from about 55 per cent.

This change is contingent on Spotify reaching certain subscriber goals over the term of the contract, said these people, who were not authorized to discuss confidenti­al terms.

The royalties that Spotify pays for recordings are separate from those that are paid to songwriter­s and music publishers, which amount to about 10 per cent.

Lucian Grainge, Universal’s chief executive officer, noted in a statement that streaming now makes up a majority of the revenue for record labels.

“Our challenge,” Grainge said, “is transformi­ng that upturn into sustainabl­e growth.”

 ?? CHRISTOPHE­R POLK/GETTY IMAGES ?? Part of the deal allows Universal to put new albums by artists including Lady Gaga behind a paywall for two weeks.
CHRISTOPHE­R POLK/GETTY IMAGES Part of the deal allows Universal to put new albums by artists including Lady Gaga behind a paywall for two weeks.

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