Margaret Cho is still standing
Freshly sober comedian says she’s ‘been fished out of the River Styx’ after intervention
A comedian’s job, Margaret Cho says, is to push boundaries and be offensive. That’s how you get to her preferred type of comedy: the severe kind.
“I think that’s the best, when it’s just really harsh and honest,” says Cho, whose latest standup show is titled Fresh Off the Bloat. “There’s a lot of brutality and severity, and that’s what I’m always fighting to get to.”
Cho, 48, uses her brash comedy to riff on topics such as racism, sexism, abuse, homophobia and rape culture — drawing heavily on her own experiences as a feminist, bisexual Korean-American who speaks openly about having been raped and abused. But Fresh Off the Bloat marks a bit of a rebirth.
“This time, I’m talking about being fresh off drugs, drinking and on the brink of suicide and I’ve come back to life,” she says. “I’ve finally been fished out of the River Styx.”
In 2016, Cho entered rehab to focus on her mental health after her friends staged an intervention (she thought she was going to a party and showed up with wine).
“I loved my hospital Girl, Interrupt- ed moment,” she says now, reflecting on the year she spent getting better. “I just kind of dropped out (of society), and I think getting away is fabulous. You learn how to find a place for self-care, whatever that looks like — so for me, it was all about trying to find a way to live in the real world.”
Cho grew up in San Francisco, where her parents ran a bookstore that specialized in gay literature. She started doing standup in the ’80s and has since appeared in movies and TV shows (including memorable turns as Kim Jong Il and Kim Jong Un on 30 Rock); released two albums of songs; written books and designed
“This time, I’m talking about being fresh off drugs, drinking and on the brink of suicide and I’ve come back to life.” MARGARET CHO COMEDIAN
fashion lines.
As the first Asian-American woman to star in her own network sitcom (the mid-’90s’ All-American Girl), she frequently critiques issues such as diversity on TV, especially in her standup.
“It’s a lot about race and comedy and television, it’s talking about whitewashing, it’s about how things have and haven’t changed,” Cho says.
Cho hasn’t concealed her disdain for what she calls the “vile” U.S. President Donald Trump and says she plans to tear into “disgusting politics” throughout the tour. “He’s a major issue in my life, and a lot of people are really scared,” she says.
Maybe it seems ironic or contradictory to laugh at the topics she discusses, but Cho is adamant about the healing power of humour. It’s a coping mechanism, she says, and joking about pain can help alleviate it. “I think sometimes it’s really the only way we can fight back and survive,” she says.