Toronto Star

‘Mouth cooking’ has some real teeth to it

Filmmakers create viral short of actor ‘baby birding’ while making turkey stuffing

- MAURA JUDKIS THE WASHINGTON POST

Hey, have you heard about mouth cooking? If you are thinking, “Cooking with your mouth sounds kind of disgusting,” I am hear to tell you: It will exceed all of your expectatio­ns.

In a video that has gone viral on YouTube, we first meet a British woman who introduces herself as “Riva Godfrey.” (She’s playing a role: Her real name is Iska Lupton.) She’s in one of those impossibly well-lit kitchens that you see in Nancy Meyers films. She is here to show us how to make stuffing for a turkey and has her mise-en-place spread out around her. If you are a very astute viewer, you’ll notice that there are no knives or spoons present.

Our friend Riva begins with a mirepoix, as so many recipes do. But instead of dicing her onion, carrot and celery, she has an innovative approach: She peels the onion, and then bites into it as if it’s an apple, chewing it until it’s about the consistenc­y of a dice, and then spitting it into a bowl.

“A bit teary,” she says, as the onion’s pungency begins to overwhelm her, and her nose runs. Then comes the carrot and the celery, chewed and spat. “Put it in your mouth, chop it up a bit further, and get it out, so we’re getting nice, even pieces,” she says.

She rips parsley apart with her teeth. She bites chunks off a loaf of bread. A lemon comes out — “for safety’s sake, I am not going to use a zester,” she says — and she zests the lemon by scraping it with her front teeth. She crunches peppercorn­s with her teeth and warms some butter up in there. And to bind the stuffing, she cracks a raw egg into her mouth, swishing it around as if it were mouthwash, before spitting it out into the bowl, mashing it all together (with her hands, thank goodness) and defiling a poor turkey by cramming this giant spitball into its carcass. When it comes out of the oven, crisp and brown, she kisses it.

We are not far into 2018, and already, it has unleashed some absolutely insane ideas about food. Earlier last week, the world learned about “raw water,” which is unfiltered and untreated, and can command prices as high as $60 for 9.5 litres (included in that price: the potential to get a parasite). And now we have mouth cooking, which should be called “baby birding” because that’s nearly what’s happening here. Even though the food is cooked, potentiall­y killing some of the germs that a diner could catch from the cook’s mouth, to think about the health effects of this practice is to take it too seriously. Because the visceral reaction, for most people, is a resounding “Oh hell no.” The video quickly went viral.

The whole thing seems so weird and asocial that you might think: Is this some kind of conceptual art?

You are correct: The video was directed by Nathan Ceddia, a 29-yearold Berlin-based filmmaker from Australia. The visceralit­y of food is a major theme in his films and photograph­y. Other works include Man vs. Gut, juxtaposed images of people messily eating fast food and squishing the pudge on their bellies; a series of photos of women poking retro Jell-O dishes and a man shoving hotdogs into his underwear; Cake Holes, a series of bare butts sitting on frosted cakes meant to explore “the strange underbelly of food and eroticism” (it’s also a sexual fetish called “sploshing”); and The Glorious and the Grotesque, a series of images of women posing suggestive­ly with dripping foods.

His work is not without precedent: It has shades of the artist Marilyn Minter’s Food Porn series, or Carolee Schneemann’s 1964 work Meat Joy. Lupton, for what it’s worth, designs pop-up experience­s for brands such as Peroni and has created “food-centric experience­s from L.A. to Sydney, climaxing with a sausage installati­on in Taiwan.”

Ceddia said the video “was made in all seriousnes­s,” believe it or not. “We wanted to create a new type of cooking.”

He had been mulling the idea of a video that would shake food trendwatch­ers out of their complacenc­y. Seeing other food videos go viral, “No one’s pushing the boundaries, no one’s thinking outside the spoon or the plate,” Ceddia said. “I wanted to create a type of cooking that makes people think a bit more.”

Perhaps it’s a different type of Paleo diet: “Why not bring it back to where it all began, when (people) had to cook with their mouth?”

For the record: There is no evidence that ancient humans pre-chewed their food as a method of combining ingredient­s to cook it for other adults.

According to the anthropolo­gy magazine Sapiens, humans have been using tools to prepare food for 3.4 million years. Scientists believe that ancient cooking techniques were developed so that early humans would have to chew less, not more.

Ceddia who says he practices both convention­al and mouth cooking at home. Knives, he thinks, can be dangerous. He still uses them, but he’s very careful, after a friend of his needed a trip to the emergency room after attempting to remove an avocado pit. Choking, another potential hazard from mouth cooking, is less of a concern for Ceddia, but statistica­lly, choking is more dangerous: According to the National Safety Council, more than 5,000 people died of choking in 2015.

Lupton, who identified herself as Riva Godfrey at the top of her email reply to the Washington Post and Iska Lupton at the bottom, said that despite her onion tears, she enjoyed the process — and that she wasn’t paid to be in the video.

“As your eyes start moistening up and your nose starts running into the mix you just feel an incredible sense of release and oneness with the food,” she said.

“Cooking with your mouth is an incredible feeling of freedom, creativity and control over your ingredient­s and finished article,” she said. “It’s hard — garlic really hurts — but the feeling of control (is) so worthwhile.”

 ??  ?? The video “was made in all seriousnes­s,“says Nathan Ceddia, who was looking to shake up food trends.
The video “was made in all seriousnes­s,“says Nathan Ceddia, who was looking to shake up food trends.

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