Amazon studio reboots with new boss
Jennifer Salke signs Jordan Peele series in first move as new head
For her first act as the head of Amazon.com Inc.’s film and TV studio, Jennifer Salke turned to a bunch of Nazi hunters.
She had just met with Jordan Peele, the Oscar-winning writer and director of Get Out, and heard through his agent that he was eager to make a show about war-crimes investigators in New York City called The Hunt. The project was languishing at another company, which meant Peele, one of the hottest filmmakers in Hollywood, was available.
Salke brought the script home with her and then offered to turn it into a TV series the next day. Peele not only agreed, he also signed a deal giving Amazon the first crack at all future TV shows from his company, Monkeypaw Productions.
Signing Peele was a coup for Amazon, and a first step toward rebooting a studio hindered by a poor reputation among the creative community.
Salke’s predecessor, Roy Price, resigned after being accused of sexual harassment, and his deputy departed following allegations that he favoured his girlfriend for a role.
The world’s largest online retailer has tasked Salke with rehabilitating its reputation in Hollywood — part of a bid to challenge Netflix Inc. for viewers around the world.
While technology rivals Apple Inc. and Facebook Inc. flirt with Hollywood, Amazon is shelling out big money on entertainment. It has pledged to increase a programming budget that already eclipses $4 billion (U.S.) a year. The company also just signed a 10-year lease for its Los Angeles headquarters.
“We can compete with the biggest of them with our resources,” Salke said. Amazon chief executive officer Jeff Bezos “wants big shows,” she said. “He wants to be successful. He wants shows people care about.” NBC tenure She had only spent seven years at NBC, where she oversaw scripted entertainment programming. NBC vaulted from last place to first under her watch, thanks to This Is Us and The Blacklist, shows she put on the air.
This Is Us hailed from her old home, Fox, where she helped develop hits Glee and Modern Family.
But Salke faces new challenges at Amazon, where few, if any, shows have connected with the masses. Missing the mainstream Critics have praised many of Amazon’s shows. And Transparent was the first program on a streaming service to win the Golden Globe Award for best comedy, a prize Amazon has won three of the past four years. Amazon has also won more Oscars than Netflix and another key streaming rival, Hulu LLC, combined.
Bezos has made clear that awards aren’t enough. His stu- dio has yet to produce a cultural sensation on the scale of Netflix’s House of Cards or Stranger Things.
The company paid $250 million for the rights to turn Lord of the Rings into a TV program, and committed upwards of $100 million to turn the podcast Homecoming into a show starring Julia Roberts, her first TV series. New culture When accusations against Price turned into a public-relations crisis, Amazon jettisoned its top executive and began a hunt for a female leader.
In Salke, Amazon hired one of Hollywood’s top female executives — and one who prides herself on building a culture that attracts talented people.
“You’ll see us pursue deals across every category,” Salke said. There is “an overarching feeling of wanting to be more successful.”