Toronto Star

First film had only played dead

A Dog’s Purpose gets unlikely sequel after making millions in China

- AMY KAUFMAN

When A Dog’s Purpose hit theatres a couple of years ago, it looked like a flop. In addition to dismal reviews (a 34 per cent “rotten” rating on Rotten Tomatoes), just three weeks before opening, the family film had been accused of on-set animal abuse. In the wake of the controvers­y — launched when a video leaked to TMZ depicting a German shepherd apparently nearly drowning while performing a stunt — industry tracking services lowered their box-office estimates for the movie.

Still, the film based on W. Bruce Cameron’s bestsellin­g novel went on to gross $64.5 million in North America. While that’s a pretty strong tally for a film that cost roughly $20 million to make, what was more surprising was just how well A

Dog’s Purpose did overseas. The movie collected $140.5 million internatio­nally — $88.5 million of which came from China.

“When I heard we were getting released in China, I thought maybe we could make $5 million in box office or something, and that would be helpful to break even,” recalled the film’s producer, Gavin Polone. “And then when we saw the numbers out of China, it was a shock. Nobody was prepared for the tsunami.”

The Chinese government allows only about 35 American films to be released annually, and U.S. production­s are granted just 25 per cent of ticket sale revenue. So while the dog movie’s success in the country was a welcome surprise, Polone said, it wasn’t the only factor in getting a sequel greenlit — though it certainly increased the urgency for a followup film.

That film, A Dog’s Journey, will debut domestical­ly May 17. Like

A Dog’s Purpose, the story centres on a canine whose spirit is reincarnat­ed in different generation­s of dogs, serving a lifechangi­ng purpose for each one of its owners. American moviegoers will again recognize the franchise’s biggest star, Dennis Quaid. But those in Asia may be more inclined to show up for the film because of its young male lead, Henry Lau.

Lau, 29, grew up attending A.Y. Jackson Secondary School in the Toronto suburb of Willowdale as the son of Hong Kong and Taiwanese immigrants. Toward the end of high school, the classicall­y trained musician won a local talent competitio­n held by SM Entertainm­ent, the Korean company behind the biggest K-pop groups. He was quickly granted a spot in Super Junior-M, which would go on to become one of the biggest boy bands on the K-pop scene. Lau remained in the group until last year and has since embarked on a solo music career, amassing 6.2 million followers on Instagram.

Though he appeared opposite veteran actress Michelle Yeoh in a 2013 Korean film, Final Recipe, Lau had little acting experience when he was cast in A Dog’s Journey. He was suggested to the filmmakers by Alibaba Pictures, the Chinese company that owns a stake in Amblin Partners, the Steven Spielbergl­ed studio behind both of the dog movies.

“We wouldn’t have gone with him if we didn’t think his reading was fantastic,” Polone said. “But if we have a character that gives us the opportunit­y to be more effectivel­y marketed in China and Korea — and at the same time, have him be good — why wouldn’t we want that?”

Polone attributes the first film’s success in China almost entirely to Alibaba, which created an elaborate marketing strategy to promote the movie. As part of the company’s relationsh­ip with Amblin, it helped the studio determine which films might have potential in China.

ADog’s Purpose wasn’t an “obvious choice,” acknowledg­ed Wei Zhang, president of Alibaba Pictures. But after screening the film, she had a feeling its heartwarmi­ng tone could work in the country. Zhang dug into some research and discovered that 30 per cent of China’s population owned pets. Through the parent company’s online marketplac­es like Taobao and Tmall — where nearly 700 million consumers shop — she discovered that the sale of pet products had been rising healthily.

“There was a substantia­l group of superusers — people who treat their pets essentiall­y like children and buy them very high-quality products,” Zhang explained. “This is a big change. When I was growing up, no one had dogs. But we have a huge and rising middle class in China today with disposable income. Owning pets is one way people are enriching their lives.”

Zhang set up a partnershi­p with a dog marketing agency, creating an event where pet owners could bring their dogs to walk a red carpet in conjunctio­n with the film. Lau, who splits his time between China and South Korea, remembers the film being so popular it earned a nickname.

“I didn’t even know the title of the movie, but everyone kept talking about ‘the dog movie,’ ” Lau said during a recent trip to L.A., where he was trailed by a makeup artist, a hair stylist, his brother, multiple publicity representa­tives and a man documentin­g his activity for social media feeds.

“That’s what it was called. When I found out that I was doing the sequel, everyone was like, ‘The dog movie?’ I’m like, ‘Yeah, dog movie 2!’ But there’s a lot of pressure because it did so well there. I think it’s because of the culture. The themes in this movie — it talks about forgivenes­s, family, love — I think those are very powerful things, especially in China. Those are themes that every Chinese person can relate with.”

With Lau cast for A Dog’s Journey, Polone was busy making sure no further allegation­s of animal mistreatme­nt would arise from the franchise. Instead of relying solely on American Humane — the oft-criticized organizati­on tasked with ensuring “no animals were harmed” on Hollywood sets — the producer hired an additional animal supervisor, Jami LoVullo, who runs a non-profit called the Animal Protection Agency.

And though Amblin “was very wedded” to the animal trainers who had worked on A Dog’s Purpose, Polone said he persuaded the studio to hire new handlers in which he felt more confident. Finally, he made a key change at the top.

Lasse Hallstrom, the Oscarnomin­ated Swedish director who had helmed the first film, was not asked to return for the sequel. Referring to Hallstrom as a “giant f---ing a--hole” who was “insensitiv­e and not prepared,” Polone sought a female filmmaker to lead A Dog’s Journey.

“I just think women are more sensitive to animals than men,” said Polone, adding that he didn’t care whether that’s controvers­ial. “Even though the trainers on A Dog’s Purpose weren’t bad people, they were men, and there’s a male thing; you become very goal-oriented and, like, ‘I’m gonna get this done.’ I think women are less that way and think more about what is going to be right and the feelings of the animals.”

Hallstrom did not respond to a request for comment.

Gail Mancuso, who has won two Emmys directing television series including Modern Family and Roseanne, got the directing gig. Though A Dog’s Journey marked her first time at the helm of a feature film, Mancuso had worked with animals before and has five dogs of her own. She said the film set was one of the “happiest” she’s ever worked on, with the crew erupting into applause for the dogs after each scene wrapped.

“We had so many animal representa­tives on the set watching with us while we were shooting, and the dogs had their own security teams,” Mancuso said, “just to make sure that they get from set to their trailers. It sounds silly. But I think it’s a great idea, now that I’ve seen it ... I totally relied on the trainers to gauge how the dogs were doing.

“If a dog was tired and they thought, ‘Let’s take a break,’ we took a break.”

Quaid, who worked on both films, is still insistent that no animal mistreatme­nt occurred on A Dog’s Purpose. That’s why, in the wake of the 2017 controvers­y, he “went out and took the movie on my back and did the press for it, because I thought it was really wrong, what they were claiming.”

He said he asked Universal to show him footage of the alleged stunt-gone-wrong from all angles, including b-roll. After reviewing the camera shots, the actor said he felt there’d been “a big misreprese­ntation” promoted largely by PETA. “I think people were intimidate­d by that because they didn’t want to get seen on the wrong side of a politicall­y correct issue.”

A lifelong dog lover who has brought his miniature English bulldog, Peaches, on the promotiona­l circuit for A Dog’s Journey, Quaid said he’s glad the first film was able to reach an audience despite the flak it received.

And he’s eager to go to China to promote the sequel.

“I’m actually lobbying to go over there,” the actor said. “The last time I was there was 1978, when they just had ox carts and bicycles. I’d love to see it now. China’s crazy about dogs.”

“Those are themes that every Chinese person can relate with.”

HENRY LAU

ACTOR

 ?? JOE LEDERER UNIVERSAL PICTURES ?? CJ (Kathryn Prescott), Bailey as Yorkshire terrier Max (voiced by Josh Gad) and Trent (Henry Lau) in A Dog's Journey.
JOE LEDERER UNIVERSAL PICTURES CJ (Kathryn Prescott), Bailey as Yorkshire terrier Max (voiced by Josh Gad) and Trent (Henry Lau) in A Dog's Journey.
 ?? HAN MYUNG-GU TORONTO STAR FILE PHOTO ?? Toronto singer/actor Lau, seen performing in 2013, was in the hugely popular K-pop boy band Super Junior M until last year.
HAN MYUNG-GU TORONTO STAR FILE PHOTO Toronto singer/actor Lau, seen performing in 2013, was in the hugely popular K-pop boy band Super Junior M until last year.

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