Putting the past back together
Fabio Colombo picked up a clay-coloured fragment, one of hundreds arrayed on tables in a room in Afghanistan’s National Museum.
He applied several adhesive drops and pressed it carefully to a larger fragment.
A figure was beginning to take shape — a Buddha sculpted in ancient times, one of an estimated 2,500 such objects destroyed or damaged by the country’s Taliban rulers nearly two decades ago.
“It feels good to give new life to these pieces,” said the Italian-born restoration expert, looking around the room packed with similar artifacts waiting to be reassembled.
The Islamist Taliban regime, which said likenesses of the Buddha were pagan idols, shocked the world in 2001by firing shells at and blasting with dynamite two towering Buddha statues in central Bamiyan province that had been carved into rock cliffs in the sixth century.
Initial efforts to rebuild the statues have met with various difficulties.
Until recently, much less was known about an older trove of small Buddhist sculptures made in the ancient kingdom of Gandhara, in eastern Afghanistan.
They were created as early as the 1st century AD, when the region was a flourishing Buddhist centre on the Silk Road connecting Asia and Europe.
The sculptures were unearthed in the 1930s and 1970s by French and Afghan archeologists at a site in Nangahar province known as Hadda.
According to museum officials, the Hadda figures make up “one of the richest collections” to be found in Central and South Asia.
Hundreds of items were brought to Kabul from Hadda decades ago, but many were systematically smashed by the Taliban in the first months of 2001.
Members of the museum staff surreptitiously collected and stored the fragments, but they sat untouched for years in the museum’s basement. Three years ago, a team of foreign and Afghan experts began working to restore them.
“What happened in the Taliban time is just a moment” in the long, tumultuous history of these sculptures, said Colombo, head conservator at the University of Chicago’s Oriental Institute, which is partnering with the National Museum on the restoration project.
The process is like solving a puzzle, with more than 7,000 fragments to sort through, clean, register, compare with drawings and photos of the former sculptures and then classify by design, colour and body part (arm, ear, foot) before the team of restorers can begin reassembling them.
Now, a new potential concern has emerged. With peace talks continuing between U.S. officials and Taliban leaders, who control large portions of the country, many Afghans have expressed fears that a Taliban return could again put the country’s cultural and historical heritage at risk, along with rights and freedoms gained in the past 18 years of democratic rule.