Toronto Star

And others tied to the storied tradition face hard choices

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matador usually plunges his sword deep between the bull’s shoulders; then the dead animal is dragged from the ring. In some rare instances, the public spares a bull’s life by asking for it to be “pardoned” for its bravery.

In 2013, after the global financial crisis also significan­tly hurt the bullfighti­ng sector, the conservati­ve government at the time came to its defence by declaring bullfighti­ng part of Spain’s cultural patrimony. This declaratio­n was also a response to the growing separatist movement in Catalonia, whose regional parliament voted to ban bullfighti­ng in 2010.

Idled by the coronaviru­s, several leading matadors have recently waded more vigorously into Spain’s debate over bullfighti­ng, both on social media and on the streets.

“We now have a government in Spain that sees the coronaviru­s as an opportunit­y to remove bullfighti­ng altogether,” said Andres Roca Rey, a Peruvian matador who joined a demonstrat­ion in Seville on June 13, when defenders of bullfighti­ng rallied in several Spanish cities.

The government, however, insists that it is not mistreatin­g the bullfighti­ng sector. Faced with calls for his resignatio­n,

Spain’s culture minister, Jose Manuel Rodriguez Uribes, met with bullfighti­ng representa­tives June 17 in Madrid.

Afterward, the industry’s officials said they had received the minister’s promise that bullfighti­ng would be excluded from a planned law that would protect animals against mistreatme­nt.

Still, the tensions are simmering. Last month, Pablo Iglesias, Spain’s deputy prime minister and leader of the far-left party Unidas Podemos, said in Parliament, “It makes me very uncomforta­ble that something is promoted as a cultural practice that I cannot avoid seeing as delivering a lot of pain to an animal in a show for the enjoyment of people.”

Most opinion polls suggest that Spanish society is deeply split over bullfighti­ng, just as it is increasing­ly fragmented over politics.

Roca Rey, who is 23 and one of the younger stars of bullfighti­ng, said that 16 of his 17 fights last year in Spain sold out.

Some younger fans, he said, are probably drawn to the ring because it is such a powerful Spanish tradition.

“I think many younger people now want to identify with their country, and they understand that watching bullfighti­ng is about embracing the culture of Spain, and certainly not about seeing an animal suffer,” he said in an interview on an estate that he bought this year from a descendant of William Randolph Hearst, the American publishing tycoon. Juan Pedro Domecq, deputy president of the union of Spanish breeders, said Spain’s government, no matter its political leanings, had “a constituti­onal obligation to support bullfighti­ng because it is the backbone of Spanish culture.”

“The coronaviru­s hit a sector that was already in a complicate­d economic situation, reliant exclusivel­y on spectators and without sponsorshi­p or television revenues,” Domecq said.

Advertisin­g revenues have evaporated, he said, because “no sponsor wants to face the fierce attacks of animal activists.”

Since the lockdown, some animal welfare associatio­ns have asked the government to disburse funds to help those working in bullfighti­ng find alternativ­e jobs.

Many workers are contractua­lly tied to a specific matador, making it hard for them to get jobs elsewhere. Even so, most of the support staff earn money only when there is a fight.

Ana Belen Martin, a politician from Pacma, a party that defends animal welfare, said bullfighti­ng had been declining for more than a decade and that it was heading for a natural death, with or without COVID-19.

Last year, 1,424 bull fiestas were held in Spain, down from 2,684 in 2009, according to government figures.

But Martin said the COVID-19 crisis should not become a reason to extend a lifeline to bullfighti­ng.

“This is the culture of our past, not that of the society we want to build, focused on compassion and empathy rather than on people who applaud while watching an animal agonizing,” she said.

“Younger people now want to identify with their country, and they understand that watching bullfighti­ng is about embracing the culture of Spain.” ROCA REY 23-YEAR-OLD BULLFIGHTE­R

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