Toronto Star

Toronto psych collective Badge Epoch gets weird

Also new music from Polaris nominee DijahSB and Tierra Whack

- RICHIE ASSALY

Keeping up with new music releases can be a difficult task. Your Weekend Playlist offers a brief introducti­on to a broad range of the most interestin­g new tracks and emerging artists.

This week’s playlist features new music from Badge Epoch, Boldy James and the Alchemist, Tierra Whack, DijahSB and Sufjan Stevens. Plus, hardcore punk band Turnstile team up with Blood Orange.

Badge Epoch

(feat. the Cosmic Range): Egyptian Licorice

Feeling stressed? News cycle got you down? Why not unplug and get a little weird with some neopsyched­elic jams?

Badge Epoch is the latest project from Max Turnbull, the eccentric Toronto artist who records as a solo artist under the moniker Slim Twig and was the bandleader for the experiment­al pop group Badge Époque Ensemble.

Turnbull describes “Scroll,” the group’s new 90-minute double-LP, as “a cosmic hodgepodge of funk, jazz, ambient techno, aggressive guitarmoni­zed rawk, musique concrète and hip hop” — which makes perfect sense the moment you hit play. The album features contributi­ons from a broad range of local artists, including Blood Ceremony’s Alia O’Brien, singer Michael Rault and members of U.S. Girls.

On the dreamy single “Egyptian Licorice,” O’Brien’s flute trills gently among a blissedout rhythm section of laid-back bass and bongos. But each time the track threatens to float away on a sunny wave of ’60s psychedeli­a, Turnbull summons the spirit of prog-rock demigod Robert Fripp, slicing through the track with a razorsharp guitar riff.

DijahSB (feat. RAY HMND): Moving With the Tides

This week’s feel-good summer tune comes courtesy of Toronto MC DijahSB, whose 2021 album “Head Above the Waters” is in the mix for the prestigiou­s Polaris Music Prize this September.

On the standout track “Moving With the Tides,” DijahSB and Brampton rapper RAY HMND team up for a new underdog anthem, trading verses over a bright mix of electric guitars and live drums. DijahSB’s charisma is immediatel­y apparent as they rap about resiliency and their long journey to success:

“I spent ten years watering my seeds / Now it’s time to see the flowers spring,” they declare, triumphant.

Boldy James, The Alchemist: Turpentine/Steel Wool

Can we go ahead and call The Alchemist the best — if not the most consistent — producer working in hip hop right now?

More than two decades into his career, Al’s uncanny ability to pull the very finest out of the artists he collaborat­es with — from Freddie Gibbs to undergroun­d rappers like Conway the Machine to Roc Marciano — has only increased. He continues his hot streak with “Bo Jackson,” the second collaborat­ive album in as many years with Griselda Records rapper Boldy James.

The two artists are a natural fit: Alchemist’s spacious and subtly crafted beats provide plenty of room for Boldy’s expansive and humorous musings, delivered in a deep and insouciant drawl.

Meanwhile, the playful chemistry between the 39-year-old rapper and the 43-year-old producer on tracks like “Turpentine” represents a damning rebuke to the tired argument that hip hop is a young person’s game.

Tierra Whack: Walk the Beat

There’s never a dull moment with Tierra Whack.

The Philly artist made that crystal clear on her idiosyncra­tic debut “Whack World,” an album made up of 15 one-minute songs, each with its own musical and visual style — from the tough swagger of “Bugs Life” to the goofy crooning of “Pet Cemetery.”

On her latest single, “Walk the Beat,” Whack takes another left turn, stretching her unique vocal style over a bass-heavy, fouron-the-floor dance beat. And though the track’s production feels worlds away from the DIY sound of her early work, the lyrical sensibilit­y feels familiar. “Alexander Wang with that Helmut Lang / Ghetto fab so I’m still eatin’ chicken wings,” she spits with an ironic wink and a nod to her earlier work. “Versatile so I can keep switchin’ lanes.”

Sufjan Stevens, Angelo De Augustine: Fictional California

Now that I have survived / The spectacle of my youth I’m gonna bring it on again / Bring it on with my truth Leave it to Sufjan Stevens to bring a tear to this millennial’s eye in a song inspired by the 2004 cheerleadi­ng comedy “Bring It On Again.” Over the years, the prolific indie folk veteran has written enchanting­ly baroque pop songs about serial killers, the city of Sault Ste. Marie, Tonya Harding … the list goes on.

“Fictional California” will appear on the upcoming “A Beginner’s Mind,” a collaborat­ion between Stevens and singersong­writer Angelo De. The album, which drops on Sept. 24, was recorded in a cabin in upstate New York, where the two artists watched movies every night for inspiratio­n. That may sound twee, but the results so far are promising. On “Back to Oz,” Stevens and De Augustine take listeners on a surreal lyrical and visual journey inspired by the unofficial 1985 sequel to “The Wizard of Oz” (a movie that I didn’t know existed until just now).

 ?? ANDREW ZUCKERMAN ?? Badge Epoch’s “Scroll” features a broad range of local artists.
ANDREW ZUCKERMAN Badge Epoch’s “Scroll” features a broad range of local artists.

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