Toronto Star

Cadence Weapon wins Polaris prize for hip-hop album

Edmonton rapper fuses styles into reflection on social injustice

- DAVID FRIEND

Cadence Weapon has won the 2021 Polaris Music Prize for his album “Parallel World.”

The Edmonton-raised rapper’s full-length record — which fuses hip hop, electronic and grime music into a reflection on social injustice — was selected by an 11-member grand jury as the best Canadian album of the year, based on its artistic merit.

The recognitio­n comes with a $50,000 prize and heightened awareness for the artist who’s been part of Canada’s music industry for well over a decade but is still widely considered undergroun­d.

“I can’t believe this is happening, I feel amazing,” he said by webcam on Monday as he accepted the honour from his home.

The 35-year-old musician’s win comes after two of his previous albums were Polaris shortliste­d, 2006’s “Breaking Kayfabe” and 2012’s “Hope in Dirt City,” but didn’t take home the prize.

“Parallel World,” his fifth album, was already a darling of music critics who applauded how its 10 songs that play out over a brisk 26 minutes left a lasting impact. Some credited the record with capturing a uniquely Toronto perspectiv­e on the Black experience in Canada that grapples with gentrifica­tion, technology and history.

“I definitely made music with a journalist­ic lens,” he said, acknowledg­ing much of the album’s inspiratio­n came from watching the George Floyd protests last year.

Cadence Weapon, born Rollie Pemberton, moved to Toronto in 2015 after spending many of his formative years in Montreal. But before that, he was already on the radar of Canada’s arts scene, named Edmonton’s poet laureate for two years in 2009.

His familial ties to Edmonton run deep. His late father, Teddy, was a hip-hop DJ on campus radio, while his grandfathe­r, Rollie Miles, spent 11 years playing for Edmonton’s CFL team.

While accepting the Polaris award, Pemberton laid out early plans to use some of his “resources” to organize voter registrati­on events around the Toronto municipal and Ontario provincial elections.

“We need some changes to our leadership and we need to make things more equitable for people in the city to be able to vote,” he said, calling on other interested musicians to join him in his quest.

In a news conference after the announceme­nt, he told reporters that he also plans to use a portion of the prize money to help some Toronto crowdfundi­ng campaigns cross their goal, including one for the Little Jamaica community, which is being impacted by constructi­on of a light-rail transit line nearing completion in the area.

“We need some changes to our leadership and we need to make things more equitable for people in the city to be able to vote.” CADENCE WEAPON MUSICIAN

Pemberton also reflected on the political landscape of the nation a week after polls closed for the snap federal election.

“I also just want to take this time to mention that Justin Trudeau has worn blackface so many times he can’t even remember how many times and he was just given a third term,”

he said in his Polaris acceptance speech.

“And that’s exactly why I need to be making rap records that are political, that are about these subjects because that’s still a fact today.”

The Polaris Music Prize awards the artist or group that created the standout Canadian album of the previous year — irrespecti­ve of genre or sales — as chosen by a team of journalist­s, broadcaste­rs and bloggers.

It is considered one of the country’s most prestigiou­s music awards. Former winners include Backxwash, Haviah Mighty, Jeremy Dutcher and Kaytranada.

 ?? COLIN MEDLEY THE CANADIAN PRESS FILE PHOTO ?? Roland Pemberton, also known as “Cadence Weapon,” was also shortliste­d for the Polaris prize for his 2006 album, “Breaking Kayfabe,” and in 2012 for “Hope in Dirt City,” but didn’t take home the prize.
COLIN MEDLEY THE CANADIAN PRESS FILE PHOTO Roland Pemberton, also known as “Cadence Weapon,” was also shortliste­d for the Polaris prize for his 2006 album, “Breaking Kayfabe,” and in 2012 for “Hope in Dirt City,” but didn’t take home the prize.

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