Toronto Star

Hadfield launches into new space — writing thrillers

Canadian astronaut chose race to the moon as subject for first novel

- SARAH LYALL The New York Times

In his long and varied career, Canadian astronaut Chris Hadfield has flown fighter jets, walked in space and orbited the Earth for months while commanding the Internatio­nal Space Station. But until earlier this year, he never had to face the stomach-churning profession­al challenge of turning in a novel and learning that your editors think it is 35,000 words too long.

“They sent me back the first 30 pages and I thought, ‘You have removed a whole bunch of words and ideas that, I’m pretty sure, are germane to what’s happening,’” Hadfield said in a video interview at the end of August. He sounded cheerful about it, considerin­g. Eventually, he began to trust the process, he said, to internaliz­e the notion that “writers and editors have different skill sets and you need them both,” and even to understand that less can sometimes be more.

What emerged was “The Apollo Murders,” slimmed down by a third and now 480 pages long. The novel, which Mulholland Books released lasts week, is set in the American space program in the late 1960s and early ’70s, a time of swaggering ambition and Cold War anxiety. Featuring undercover spies, scheming Russians and psychopath­ic murderers, sometimes all at once, it teems with authoritat­ive details about what it might be like, for instance, to throw up in space or to grapple with a deadly Soviet astronaut who assaults you during a spacewalk.

Early buzz is good. Publishers Weekly described it as a “spectacula­r alternate-history thriller,” an “intelligen­t and surprising nail-biter.”

Calling Hadfield, who is 62, Canada’s most famous astronaut might seem like an oxymoron, or even a punchline, but he is probably the most famous living astronaut of any nationalit­y in the modern era. (Leaving aside billionair­e wannabe astronauts.) This is partly because his haunting 2013 performanc­e of David Bowie’s “Space Oddity” while aboard the Space Station — literally floating far above the world — has been viewed more than 50 million times. That has a way of raising a person’s profile.

It is partly due, too, to Hadfield’s gregarious nature, extensive social media presence (he has 2.3 million followers on Twitter and 373,000 on Instagram), TED talks, public speaking and teaching jobs, consulting work and bestsellin­g 2013 book, “An Astronaut’s Guide to Life on Earth.” During the darkest days of lockdown, Hadfield emerged as a go-to comforter of the afflicted, dispensing advice on how to deal with uncertaint­y, loneliness and isolation.

“A spaceship is like a pandemic to its wildest extremes,” he said. “It’s truly life and death, you can’t ever go outside, you don’t know how long this is going to last, bad things can happen any moment and you don’t have any other company.”

Wearing a salmon-coloured Tshirt, his moustache a little greyer than in his “Space Oddity” days, Hadfield was speaking from the cottage he shares with his wife of nearly 40 years, Helene, on a tiny island near the Ontario-Michigan border. They live mostly in Toronto but spent the bulk of the pandemic in their little house here, built in the late 19th century.

He retired in 2013 and did not want to succumb to the ennui that envelops many ex-astronauts who feel that their best days are behind them.

“We saw too many people who had retired and floundered,” Helene Hadfield said in a followup interview. “We’d been talking about it for years, what makes someone happy, and one of the plans for our post-astronaut life was that he would write a book.”

Her husband set out to write a golden-age space thriller, but he didn’t want to tamper with the past by putting real astronauts in fake situations. So he invented an alternate history, in which Apollo 18 — a real mission that was cancelled during the Nixon administra­tion — went ahead, as a spy mission.

“Right after Apollo 17 is an incredibly ripe time,” he said. “The politics of the time — the end of the war and the rise of women’s rights — was a lovely cultural crucible to put this story into.” A lot was going on in the space race with the Soviets, too, and Hadfield was able to weave into his story the mysterious demise of two Russian vessels that malfunctio­ned and became inoperable under murky conditions.

He made his hero a decorated fighter pilot who, having lost an eye after his plane collided with a bird, orchestrat­es the mission from the ground and begins to believe that something, or someone, is not right on the spaceship. Hadfield based the character’s backstory in part on his own experience when he hit a seagull while flying an F-18 over the Chesapeake. In that case, the plane was badly mangled, but Hadfield wasn’t.

Having never written a novel before, Hadfield did prodigious research, in part by rereading books by some of his favourite writers, like Dick Francis, John D. MacDonald and James Michener. He took a fiction master class; he read Stephen King’s great memoir-cummanual, “On Writing”; he fretted.

“He was so scared, but I knew it would be good,” his wife said.

Hadfield also recalled a conversati­on he had with Neil Young while aboard the Space Station. “This sounds like a stupid thing to say, but when you’re living on the spaceship, they ask you who on Earth you would like to talk to for psychologi­cal support and then they see if they can get them,” he said.

His wish list included Ryan Reynolds, Sarah McLachlan and Neil Young. “I thought, he’ll never call,” Hadfield said.

But Young did call. The astronaut spoke from space; the musician spoke from the back seat of his now-converted-to-hybrid 1959 Lincoln Continenta­l, where the internet connection was better than in the house, apparently.

They talked for nearly an hour and Young gave Hadfield some creative advice.

“He said, ‘Don’t write the song; write it down,’” Hadfield said. “Sometimes something occurs to you and you go, ‘That’s cool,’ and he said, ‘That’s the way you have to write the song: just write it down as it comes to you.’”

Hadfield is currently about 10,000 words into his next novel, he said, and is mulling over whether to start it right before the Yom Kippur War, in 1973.

“It provides a wonderfull­y tumultuous backdrop to something I want to happen to be able to give me the plot threads I need,” he said. “I’ve by no means solved all the problems yet.”

Hadfield sounded oddly happy about that, too. “I’ve got nothing but corners I’ve painted myself into.”

 ?? ANGELA LEWIS THE NEW YORK TIMES ?? Chris Hadfield’s novel “The Apollo Murders” features spies, scheming Russians and psychopath­ic murderers.
ANGELA LEWIS THE NEW YORK TIMES Chris Hadfield’s novel “The Apollo Murders” features spies, scheming Russians and psychopath­ic murderers.

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