Toronto Star

She made clowning around serious business

Hamiltonia­n was the driving force in Canada of the therapeuti­c clown movement adopted by many hospitals

- JEFF MAHONEY

Helen Donnelly, who grew up in Dundas and became one of the country’s premier clown artists, working for a time with Cirque du Soleil, has died after a recurrence of the blood cancer she’d been fighting for three years.

Donnelly, who was 53, also worked for 10 years for Circus Orange, the famous Hamilton-based spectacle/street theatre circus, as resident clown. She appeared with them at several Supercrawl­s and at the Calgary Stampede.

She died on Jan. 6, of multiple myeloma.

In more recent years, Donnelly became probably Canada’s best known practition­er of and advocate for therapeuti­c/health care clowning, both pediatric and for the geriatric. She did pediatric therapeuti­c clowning at such places as Holland Bloorview Kids Rehabilita­tion Hospital and the Hospital for Sick Children.

One of her proudest achievemen­ts, says husband Neil Muscott, was having the therapeuti­c clowns asked to be involved in larger patient care strategy. “The clowns were actually often there during physiother­apy and sat in on some of the (medical staff’s) rounds,” he says.

Before that, she worked with the Dr. Clown Foundation, focusing mostly on the elderly with dementia, as artistic co-ordinator and programs co-ordinator. She was a founding member of NAFHCO (North American Federation of Healthcare Clowning Organizati­ons), started the therapeuti­c clown diploma program at George Brown College and had been invited as guest trainer for health care clowns all over the world, from Israel to Portugal, the U.S. and Canada.

She started out working in convention­al theatre in Hamilton and later Toronto, acting and singing, studying drama at University of Toronto, doing summer stock — “Helen had a wonderful voice,” Muscott says — before taking clowning classes in the late 1990s.

Once she started down that path, there was no turning back, he says. It consumed her.

She studied and studied hard, in the Pochinko Method of clowning, with followers of the French master Lecoq. She learned under such clown teachers as David Shiner, Francine Cote, Roch Jutras and Grindl Kurchirka.

When she talked of the kind of clowning that she practised, the language and ideas she used, “koan”-like in tone, bridged the heady realms of philosophy, psychology, archetype and near-mystcism. “Fool”-ish? Hardly.

In a 2001 story in the Hamilton Spectator on her being chosen, from among thousands of auditionin­g clowns, to perform with Cirque du Soleil, in Boston and many other American cities, Donnelly said, discussing her training:

“The first stage is discoverin­g your baby clown. Then you take in all the directions of the earth. Within each direction there are two selves — innocence and experience. The theory is that there are 12 basic characters, they all have their own stories and when you breathe in all 12 characters at once, out comes your clown. It’s very intensive.”

“We would joke at parties,” says Muscott, a photograph­er who also took some clown training, “and say to people, ‘And you thought clowning was nothing but fun.’ She was very serious about the ‘quality’ of clowning. It isn’t just about putting a red nose on your face.”

“She was (a) magical child,” says mother Fran Donnelly. “A happy, sunny child, she was her own entertainm­ent and loved fantasy. On long family car trips she would have us in stitches with characters she made up, like Rubber Boots, Cellar Door and Mailman Mike.” She was also an avid ballet student.

Muscott says that his wife complained of back pain in the late 2010s, but it took a long time to diagnose her condition as multiple myeloma, a cancer of the blood. That diagnosis came in June 2019. It was advanced.

“We knew from day one it was incurable but as much as you’re prepared it is still a shock, but she had a good run, and she gained year with a clinical trial” that worked very well for her through most of 2021.

In the fall, though, the cancer came back and by the end, she needed to be hospitaliz­ed.

Before that, she and Muscott had been living in Dundas, where Donnelly grew up, through much of 2021, spending time at Christie Conservati­on area where Donnelly worked in her youth.

“We had wonderful care from Princess Margaret Hospital,” Muscott says.

The work that she started continues and grows, he adds. In places like Germany, there are hundreds of therapeuti­c/health care clowns, many in each hospital.

Canada has lagged behind but that is changing, thanks largely to Helen Donnelly and the organizati­on she started: Red Nose Remedy. It advances awareness of, training in and access to health care clowning.

 ?? CATHIE COWARD THE HAMILTON SPECTATOR FILE PHOTO ?? Donnelly, who died this month after a recurrence of blood cancer, leads a clown workshop at the Staircase Theatre in October 2016.
CATHIE COWARD THE HAMILTON SPECTATOR FILE PHOTO Donnelly, who died this month after a recurrence of blood cancer, leads a clown workshop at the Staircase Theatre in October 2016.
 ?? ?? Helen Donnelly did pediatric therapeuti­c clowning for the HollandBlo­orview Kids Rehabilita­tion Hospital.
Helen Donnelly did pediatric therapeuti­c clowning for the HollandBlo­orview Kids Rehabilita­tion Hospital.

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