Toronto Star

Business leaders can save art sector

- NEIL PAKEY CONTRIBUTO­R NEIL PAKEY IS PRESIDENT AND CEO OF NIEUPORT AVIATION.

Here is a sobering, and only partial, list of arts organizati­ons in our community whose events have either been cancelled outright, or are in serious jeopardy: Toronto’s Contact Photograph­y Festival. Our live theatre sector. The Just For Laughs Comedy Festival. The Toronto Fringe Festival. The Luminato Festival. Our independen­t cinemas. The Hot Docs documentar­y film festival. The Toronto Internatio­nal Film Festival.

Those of us in the private sector need to do better.

We all understand that companies invest in what’s important to them, which is why this steep decline in Toronto’s arts scene reflects a failure on the part of private sector leaders to recognize the value of the arts in our community.

Why are the arts important? The answer, and indeed the wonderful thing about art in general, will vary wildly depending on who you ask.

Art incites conversati­on. Conversely, it can speak without words when those words are too painful to speak. It can celebrate. Or it can demand change. It helps us see the beautiful, even as it refuses to let us forget the terrible. And, of course, the best art brings us together to wrestle with these experience­s as a collective.

For me, as a newcomer to Canada in 2018, the arts represente­d a way to learn about the present and past of a complex country. As CEO of Nieuport Aviation, owner and operator of the terminal at Billy Bishop Toronto City Airport, I’ve heard similar opinions firsthand from passengers when they see the local art on display in our terminal, enjoy a live concert from our airport music program, or have other experience­s we have deliberate­ly created to better connect to our community.

Examples include Project T-Dot, a chronicle of the Toronto hip-hop scene by local photograph­er Ajani Charles; the Bloody Boats installati­on by artist Akshata Naik; or live performanc­es by a diverse group of emerging musicians. For passengers, these exhibits and performanc­es shed light on the vast and diverse community we serve in the GTA.

The City of Toronto has done a wonderful job — almost too good a job — in promoting the arts. It makes me wonder, has the private sector become too comfortabl­e taking a back seat while municipal leaders underpin support for our art community?

In a word, yes.

Of course, there is inspiring art coming about through private-sector involvemen­t. I recently got blissfully lost at The Power Plant on Toronto’s waterfront, a free-to-enter gallery supported by privatesec­tor donors. And of course, the 2023 Mayor’s Evening for the Arts raised more than $1 million to keep art front and centre in our city.

But the time has come to move beyond what is traditiona­lly expected of private companies when it comes to supporting the arts.

Business leaders should be asking themselves if their support of art is ticking a box under a list of corporate social responsibi­lity initiative­s, or are they truly invested in supporting the arts community. Do their lobbies and gathering places feature works from local artists? Is their company involved in events and initiative­s that support the arts? Are they talking to our stakeholde­rs about their involvemen­t in the arts and collaborat­ing on ways to amplify and echo our shared values?

We in the private sector can and should do more to promote the arts, whether pushing further on existing initiative­s or creating something where previously nothing existed.

Ultimately, it is about participat­ing in and advancing conversati­ons about who we are, where we have been, and where we want to go. There’s an undeniable value in this for individual­s, communitie­s, and the nation at large.

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