Vancouver Sun

ALL STRATFORD’S a stage

The good, the Bard and the not so ugly mark Shakespear­e’s anniversar­y

- LUCY HYSLOP

I’m cycling on what the English charmingly call a “higgledy-piggledy” route, weaving through neatly packed hamlets and navigating rural public paths touching distance from stone cottages, farms, barns and a string of old pubs and spired churches.

It’s all part of a pilgrimage to retrace the steps of Shakespear­e — with this year marking the 400th anniversar­y of the famous playwright’s death — between his likely stomping grounds in Oxfordshir­e, a couple of hours by train northwest of London, and his hometown of Stratfordu­pon-Avon.

Known as “the heart of the country,” the journey checks the quintessen­tially English countrysid­e wish list. While ancient hedgerows and stone walls constantly carve up the land, my views change at every rotation: from a smattering of bold oak trees to silver birches and beech hedges; long-standing woodlands and plowed fields; grazing sheep and cows, all around quirkily-named villages (Oddington, Evenlode, Icomb), to boot. Turn these distinguis­hable vistas into a jigsaw, and you’d easily differenti­ate one nuanced piece from another.

Of course, whether you’re whizzing at breakneck speed as part of the Lycra legion or the easy riders (that’s me), arriving by bike is the chance to take in these sights at a more discerning pace as well as the smells, the air, the birds dancing by — oh, and build up not only a physical hunger but a mental appetite for the Bard.

You can’t help percolatin­g over the Shakespear­e canon as you roll on through the detailed map (run by The Carter Company, the itinerary takes you off the major roads and on to the “quiet stuff” such as lanes, canal towpaths and converted old railway lines as much as possible). It’s a landscape on this fine winter’s day less reminiscen­t of the austere King Lear, perhaps, but more a Puck-like “merry wanderer,” with a gentle undertone of Henry V’s “stiffen the sinews” along the three-hour-or-so ride (around 45 kilometres). My thoughts meander on how these places inspired his historical tales of noblemen, witchcraft and treachery.

I’m travelling from the train station at Kingham (just under two hours from London) towards the backslope of the raised Cotswolds region, upholstere­d mainly by its distinctiv­e, eponymous yellow Jurassic stone and frequently thatched cottages (some with roofs fashioned into ducks) until I freewheel down into the Shakespear­ean market town and its famous River Avon. When I finally reach Shakespear­e’s birthplace, my arrival is rewarded with a theatrical troupe (Shakespear­e Aloud!), one of whom bursts into Portia’s soliloquy from The Merchant of Venice. (Just like a Shakespear­ean jukebox, the audience can request lines from any of his works.)

His beam-heavy 16th-century home certainly offers a sense of place to the traveller. It’s reassuring­ly creaky, with criss-crossed leaded windows, marble statues of the Bard, four-poster beds and all the Tudor and Elizabetha­n trimmings — from old tables and stools to the tanning equipment of the time. A tour will help also unravel the origins of certain expression­s from the era — “sleep tight,” for example, comes from the custom of putting straw mattresses on bed frames and tightening them with ropes.

For some, the experience of being inside the writer’s haunts is overwhelmi­ng. On being told the original stone flooring of the parlour (the front room) is the very one on which the Bard would have trod, one recent visitor “whipped off her shoes so she could feel connected to him,” says one guide in costume, before stepping into the bedroom where he was born “and bursting into tears.”

After taking in a new exhibition revealing how his friends enjoyed his company, it’s only a few minutes walk around the “Historic Spine” of the town to Harvard House.

Another classic example of the wood-centric Elizabetha­n style also showcasing stained glass and painted panels, this is the original home of Roger Harvard, a contempora­ry of Shakespear­e’s whose family later went on to found Harvard University. Dripping in oak, the house has the homeowners’ initials carved into its front and stands next to reportedly the oldest pub in the town (The Garrick Inn, named after David Garrick, the Shakespear­ean actor).

The town’s revving up for the quarter-centenary anniversar­y (April marks his birth and death) with the reopening of New Place, where Shakespear­e spent his last two decades and penned 26 major works, set to take centre stage.

Reaching the end of the spine and bookending the town further along the banks of the river is Holy Trinity Church, where Shakespear­e was baptized and buried. His grave comes complete with the famous caveat warning people not to even think about moving his bones elsewhere.

For purists, nothing is more intimate than taking in some of the writer’s works with the Royal Shakespear­e Company. Check out one of its behind-thescenes tours and if you’re lucky enough to have tour guide Tony, there will be plenty of theatrics, including his trademark The Merry Wives of Windsor signoff: “Heaven give you many, many merry days.”

When it comes to visiting Stratford, “merry” is indeed at the heart of it.

And that’s forsooth. Lucy Hyslop’s trip was partly paid for and arranged by VisitBrita­in and the Shakespear­e Birthplace Trust. The Carter Company lent her a bike.

 ??  ?? Members of Shakespear­e Aloud! entertain visitors in the birthplace of the Bard, Stratford-upon-Avon.
Members of Shakespear­e Aloud! entertain visitors in the birthplace of the Bard, Stratford-upon-Avon.
 ?? PHOTOS: LUCY HYSLOP ?? Above: William Shakespear­e’s final resting place at Holy Trinity Church. Top right: Shakespear­e birthplace. Bottom right: Converted railway bridges a few minutes outside Stratford-upon-Avon.
PHOTOS: LUCY HYSLOP Above: William Shakespear­e’s final resting place at Holy Trinity Church. Top right: Shakespear­e birthplace. Bottom right: Converted railway bridges a few minutes outside Stratford-upon-Avon.
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