Vancouver Sun

WAIT A MINUTE

Canadian filmmakers are looking to break the mould with new historic segments

- DAVID FRIEND

Kari Skogland thinks it’s about time that filmmakers push the boundaries on Canada’s Heritage Minutes.

After directing two early instalment­s in the series of bite-sized historic moments, the Ottawaborn director suggests there’s an opportunit­y to re-envision the project as a collection of thoughtpro­voking conversati­on starters, rather than simple re-creations of the past.

“It’s one thing to say we’re proud of a moment,” Skogland says.

“It’s another thing to say we’re involved in a moment.”

Skogland, who has gone on to direct TV shows including House of Cards, The Walking Dead and Vikings, says the latest call out by Historica Canada for another two instalment­s of the series opens the door for artists to draft a few edgier proposals.

Past dramatizat­ions often leaned toward such safe, heartwarmi­ng tales as Winnie, the story of Winnie the Pooh’s creation. Even Skogland’s own Mennonite-set history lesson Water Pump played like a sugar-coated memory.

“Maybe it doesn’t need to be quite that saccharine,” she suggests.

Historica Canada has been making tweaks to the series in recent years, turning its lens to more shameful parts of Canada’s history. Two new Heritage Minutes last year acknowledg­ed the country’s racism with stories that address residentia­l schools and segregatio­n.

Skogland thinks the next step could be acknowledg­ing how our Canadian artists have affected the world. A timely and important example, she suggests, would be dedicating a Heritage Minute to the story of Leonard Cohen.

“He was a poet and a social commentato­r,” she says. “He had a huge value in his time to make people think about the world and how we perceive it.”

Historica Canada’s chief executive says he’s open to all new ideas, but that he’s particular­ly hoping to fill glaring omissions in the series, which after nearly 26 years still hasn’t tackled some important subjects.

“There’s a lot of holes, a lot of things to do,” says Anthony Wilson- Smith.

In particular, Heritage Minutes haven’t paid much attention to stories of the LGBTQ community, young people, religion or the environmen­t.

Wilson- Smith says he’d like all of those themes captured in vignettes sooner rather than later.

Storytelli­ng diversity is another priority. A variety of technologi­es such as 3D and CGI haven’t been used much at all, so they could become new tools for retelling a particular moment. Documentar­ystyle formats are also on the table as a possibilit­y.

“We’re not filmmakers here,” he says.

“So when people come forward with ideas where we say, ‘We haven’t looked at it that way before,’ we’re going to (consider them) very hard.”

Breaking the mould has been a top priority for Wilson- Smith. He recently green-lit the first ani- mated Heritage Minute, which explores Canada’s immigratio­n history. The clip is set for release later this year.

The less-convention­al style could allow for more original ideas to flow in.

Kire Paputts, who tackled mental disabiliti­es in his 2015 coming-ofage film The Rainbow Kid, says organizers should consider darker moments in recent Canadian history, such as the Sexual Sterilizat­ion Act of 1928.

The Alberta act allowed for the sterilizat­ion of mentally disabled people to prevent them from reproducin­g. It wasn’t repealed until 1972.

Paputts also suggests Historica Canada should think beyond oneminute storylines by producing a series of interactiv­e videos.

He says historical events might be enhanced with an intense virtual reality experience. One option would be a dramatizat­ion of the Toronto bathhouse raids of 1981, which are credited as a turning point for LGBTQ activism in the community.

“Feeling like you’re there in the moment would be an interestin­g way to take it,” Paputts says.

“You could be one of the people who was getting (arrested) by cops. It opens up new doors.”

Fabienne Colas, founder of the Montreal and Toronto Black Film Festivals, says the future success of Heritage Minutes relies on who’s acknowledg­ed as an inspiring figure.

“One thing we have to break away from is the mindset that somebody has to be 95 years old,” she says.

“Sometimes we highlight stories of people that are so old they don’t appeal as much. We have to open our eyes and see who is exceptiona­l around us that can inspire a new generation as well.”

David Cormican, a producer on such TV series as Between and Shadowhunt­ers, thinks filmmakers should take a page from changing viewing habits. His daughter spends far more time on YouTube watching clips than she does in front of a TV screen.

“Maybe shorter is better,” he says. “A minute might be too long for some attention spans these days.”

The popularity of 10 Things You Didn’t Know videos on social media offer direction for how to connect with teenagers, Cormican says.

Historica Canada is already experiment­ing with similar ideas. A year ago they unveiled an unconventi­onal mash-up that used familiar Heritage Minutes snippets to re-create Drake’s hit song Started From the Bottom.

The organizati­on is also considerin­g projects that run longer than 60 seconds. Wilson- Smith says conversati­ons are underway to produce a separate series of documentar­ies that clock in under five minutes.

As for the latest Heritage Minutes, the organizati­on hopes to make its picks by the end of April. Production would then start this summer, with a tentative plan for release later in the year.

 ?? HISTORICA FOUNDATION ?? Among the Historica Foundation’s Heritage Minute segments is one saluting the 3,000 Canadian women who served overseas as nurses during the First World War.
HISTORICA FOUNDATION Among the Historica Foundation’s Heritage Minute segments is one saluting the 3,000 Canadian women who served overseas as nurses during the First World War.

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