Vancouver Sun

GRAPHIC NOVEL TACKLES GRIEF, LOSS AND NEW LOVE

- STUART DERDEYN sderdeyn@postmedia.com twitter.com/stuartderd­eyn

Forward Lisa Maas | Arsenal Pulp Press $21.95, 198 pages

The graphic novel is a proven vehicle for tackling tough topics. In Forward, Victoria author and cartoonist Lisa Maas crafts a powerful look at grief, heartbreak and, as the title suggests, “moving forward.”

Following two forty-something lesbians on a road to discovery, Maas crafts a three-part story not afraid to tackle the insecuriti­es and opposing passions that make up an intimate relationsh­ip. Part 1 introduces the two main characters, Part 2 brings their lives together, Part 3 offers future potentiali­ties.

Rayanne is a high-powered profession­al profoundly affected by a bad relationsh­ip who is doing everything she can to avoid becoming emotionall­y entangled with anyone again other than her cat. Ali (based loosely upon the author) is a widower who suddenly lost her wife, Liv, to untreatabl­e cancer. Both of them are going through life with a protective shell around them that is complicate­d and corrosive at the same time. As Maas notes in an interview, she saw a lot of examples of this in her community, which inspired the book as a healing process for her and — hopefully — all those who read it.

Through a series of coincidenc­es, the two meet and both feel out of their comfort zones when an obvious attraction occurs.

How they conquer their fears — or don’t — plays out over the pages in a narrative that is most assuredly not some sort of self-help lecture turned into digestible comics. Were not Maas such an honest storytelle­r with clear connection to both characters, Forward could fall prey to that. Instead it bristles with textual honesty and often highly charged, lovely artwork.

A shout-out to having dual skills is in order here as it’s a select club of graphic-novel creators who do both story and pictures.

Forward’s protagonis­ts are really mired down in their situations. And they spend a lot of time discussing feelings and fears. But that is what people do and the author isn’t going to lie about it. She never adopts the preachy, “just-do-this-andall-will-be-well” tone of far too much of the relationsh­ip literature coming from so-called experts.

The play-by-play of Rayanne and Ali’s experience­s are believable and downright unbearable at times. It’s hard not to want to yell at the secondary characters all around them urging action. We all know how unsolicite­d matchmaker­s cause fires of an entirely different sort when their efforts go awry.

Maas has been drawing since she was a teen. Her dedication to the craft came early, such as rendering an illustrate­d adaptation of Shakespear­e’s Macbeth for a Grade 11 English assignment. Forward is her first published graphic novel and the author/illustrato­r admits that the artwork shifts over the course of the story as she became more skilled with rendering her characters.

Convenient­ly, this honing in on the art coinciding with the two characters’ emotions becoming more clearly defined actually contribute­s to the book.

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