‘Brilliant symbol’
Iconic Palestinian garments carry with them a new pop political message
JERUSALEM The traditional brightly embroidered dress of Palestinian women known as the thobe was not the type of garment one would expect to become a pop political symbol.
Now it’s gaining prominence as a softer expression of Palestinian nationalism, competing even with the classic kaffiyeh — the head scarf donned by young Palestinian men protesting Israel’s occupation.
The robe, adorned with elaborate hand-stitched embroidery, requires months of gruelling labour. Some thobes fetch thousands of dollars. The traditional textiles call to mind a bygone era of Palestinian peasant women sewing on a break from the fields.
Last month, Rashida Tlaib wore her mother’s thobe to her historic swearing-in as the first female Palestinian American member of the U.S. Congress, inspiring masses of women around the world, especially in the Palestinian territories, to tweet photos of themselves in their ancestral robes.
“The historic thobe conjures an ideal of pure and untouched Palestine, before the occupation,” said Rachel Dedman, curator of a recent exhibit at The Palestinian Museum focused on the evolution of Palestinian embroidery. “It’s more explicitly tied to history and heritage than politics. That’s what makes it a brilliant symbol.”
The Palestinian thobe traces its history to the early 19th century, when embroidery was confined to the villages.
Decorated dresses marked milestones in women’s lives, such as onset of puberty, marriage or motherhood. The designs varied from village to village — special threedimensional stitching for the upper class of Bethlehem, big pockets for the nomadic Bedouin women, orange branch motifs for the orchardfamous city of Jaffa, said Maha Saca, director of the Palestinian Heritage Center in Bethlehem.
Thobe patterns also expressed women’s different social positions: Red for brides, blue for widows, blue with multicolored stitches for widows considering remarriage.
While Arab women across the region have worn handmade dresses for centuries, the thobe has taken on a distinctly Palestinian character, particularly since the establishment of Israel in 1948.
Hundreds of thousands of Palestinians either fled or were expelled from their homes during the war surrounding Israel’s creation. Many took only their dresses with them into the diaspora, Saca added.
The war, which Palestinians call their nakba, or catastrophe, transformed the thobe.
“Suddenly, in the face of dispossession and cultural appropriation by Israelis, embroidery became an urgent task,” Dedman said. “The dress was taken up and politicized.”
Over decades of conflict that has claimed thousands of lives on both sides, Palestinian nationalism has taken on many forms.
In the early days of Israel’s establishment, it was associated with calls for Israel’s destruction and deadly attacks. Armed struggle later gave way to calls for the establishment of a Palestinian state in the West Bank, Gaza Strip and East Jerusalem — lands captured by Israel in 1967. Peace talks have been interrupted by spasms of violence, and for the past decade, a deep freeze in negotiations.
Today, the internationally recognized autonomy government of the Palestinian Authority, which administers parts of the West Bank, continues to seek a two-state solution with Israel. The Hamas militant group, which seized the Gaza Strip in 2007, still seeks Israel’s destruction, while many Palestinians, particularly the younger generation, now talk of a single binational state with Israel in which they would enjoy full equal rights.
Along the way, the thobe has grown in popularity and evolved, with dress designs reflecting history ’s many dramas. During the first Palestinian intifada, or uprising, in the 1980s, the thobe bloomed with guns, doves and flowers. When Israeli soldiers confiscated Palestinian flags at protests, women wove forbidden national maps and colours into their dresses, according to the Palestinian museum exhibit.
Now, Palestinian women of all social classes wear thobes to assert national pride at weddings and special occasions.
“It’s a way of defending our national identity,” Saca said.
The care, toil and skill that go into making a thobe prevent the garment from becoming everyday streetwear — or protest wear. But cheaper, mass-produced versions of the dress have sprouted up.
“A woman typically has one thobe to wear on occasions throughout her life — it’s very expensive and impractical,” said Maysoun Abed, director of a thobe exhibit in the West Bank city of Al-Bireh, near Ramallah. “But demand for the thobe still runs high as a way of expressing patriotism.”
Although the robe shares potent patriotic subtext and roots in peasant life, the thobe is infused with nostalgic, almost mythical associations.
Natalie Tahhan, a designer based in East Jerusalem, produces capes from digital prints that replicate traditional embroidery stitches, “connecting tradition with what is new and stylish.”
“These dresses are our link between the past and future,” Saca said.