Vancouver Sun

A POWERFUL TAKE ON LOVE, LOSS AND ADVANCED A.I.

- Tom Sandborn lives and writes in Vancouver. He welcomes your feedback and story tips at tos65@telus.net

Autonomy

Victoria Hetheringt­on Dundurn Press

TOM SANDBORN

Speculativ­e fiction may be this culture's version of the Delphic oracle, a source of enigmatic prophecy for a secular, plague-ridden present. In more innocent times, when science seemed an unconteste­d source of truth, the genre was known as “science fiction.” Even then, tales of the imagined future often served as vehicles for reflection about the fraught complexiti­es of the present.

Autonomy is the much-anticipate­d second novel from Toronto-based author Victoria Hetheringt­on. The first, Mooncalves, reviewed on these pages in 2020, was a spectacula­r debut, and the sophomore effort, unlike many second books by promising authors, altogether lives up to the achievemen­ts of the first.

Set in a too-plausible future in which American control of Canada is even more explicit and far reaching than it is today and a patriarcha­l counter revolution reminiscen­t of Margaret Atwood's The Handmaid's Tale is rapidly gaining ground, Autonomy is an implausibl­e love story. The romance links Slaton, a Canadian student counsellor who works for the deliciousl­y named Department of Brand Management at the fictional D'aillaire University, with Julian, a highly sophistica­ted artificial intelligen­ce who has been developed to conduct interrogat­ions.

The fact that Slaton's employer institutio­n seems to be named for a Canadian general who was famously driven to suicidal despair by the genocide he witnessed in Rwanda is only one of the many elegant ironies laced throughout this book, which despite its grim subject matter manages to be a minor comic masterpiec­e.

Julian is a kind of cyber Grand Inquisitor who develops affection for Slaton when he is assigned to interrogat­e the hapless counsellor after a student frames her for the “crime” of supporting an attempt to procure an abortion. Julian helps Slaton find a wealthy protector who introduces her to the cosseted lives of the rich in gated communitie­s, marries her and offers her pharmaceut­ically enhanced immortalit­y. Meanwhile, a new plague, the Illness, is sweeping through first the planet's squalid cities and then the walled luxury retreats of the privileged.

Hetheringt­on's lapidary prose, so notable in their first novel, serves them well again in Autonomy. Also present, a rare ability to write well and powerfully about characters' erotic lives and their psychologi­cal complexity. This is a remarkable work of fiction.

Highly recommende­d.

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