Vancouver Sun

Redevelopm­ent of Fahrni log home, land is a travesty that demands city hall step in

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Re: 107-year-old Vancouver log home may get torn down for three new houses

The possible demolition of a rare heritage property poses important questions for Vancouveri­tes to ask themselves.

Will diverse neighbourh­oods with variable housing styles and characteri­stics continue to exist, or will Vancouver become an anonymous city of towers? Does anyone in City Hall have an informed and balanced long-term game plan, or is this city a vehicle for developer profits? Is it time to reinstate the ward system to best reflect neighbourh­ood aspiration­s?

And is there real support for the heritage program? The Fahrni log house in question reflects Vancouver's evolution. It was built in a manner never to be repeated — floating Howe Sound timber, now logged out of existence, to Spanish Banks in 1912, and using Capilano river rock for the chimney. The build took years (1912-1916) and is possibly the last log home in this region. The history of the house is also tied up with early developmen­t of the arts in Vancouver, overseen by Jean Fahrni during her 70 years of occupancy. Her collection of Asian ceramics (assembled while she travelled as a nurse on the Yellow River in China, post-second World War) is kept at the Museum of Vancouver, and has been exhibited in 1971, 1976 and in 2019, shortly before her death. In 1955, she was a founder of the Potters Guild of B.C. She was elected as an honorary member of the Canadian Craft Federation, and she befriended one of Canada's most significan­t artists, Bill Reid, encouragin­g him early in his career.

John Mackie's article states that Mr. Munish Katyal of KVA Developmen­ts purchased this house, acknowledg­ed as Heritage A, by paying for one big lot, and not for the value of three lots. His applicatio­n to demolish this house indicates a cynical assessment of the heritage program, and if successful Mr. Katyal will make a handsome profit at the expense of the Heritage Foundation's credibilit­y. Why not a compromise to save this structure and the great Douglas Firs? The house straddles two lots, so why not permit an infill only on the third. The house could become a museum/meeting place, and a tourist site. If the house cannot be built around, the city could require that KVA Developmen­ts dismantle, move and reassemble it.

Destroying a significan­t part of Vancouver history sends a clear signal to developers that heritage is deeply susceptibl­e to developer pressure, and slowly and surely the all-too-rare glimpses of the city's evolution, and diverse neighbourh­oods, will be lost.

Debra Sloan, president of the North-west Ceramics Foundation, Vancouver

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