Waterloo Region Record

Fall’s a great time to create ‘cabinet of curiositie­s’

- Katie Workman

Digging around in a favourite flea market a couple of years ago, I found a handmade, compartmen­talized box that someone had lovingly crafted from wood, probably 100 years ago.

It looked like it could have been a tool kit, fishing tackle box or something a builder would use. Undeterred by the fact that I had no need for any of those things, I bought it. But it looked a little forlorn empty, so I decided to create a “cabinet of curiositie­s,” with autumn as a theme.

I started with a few colourful fall leaves and a polished acorn. Later came a birds’ nest that had been vacated earlier that summer from a nook under a woodshed roof. A long, skinny pine cone. A pressed flower that fell out of an old cookbook. Some beautiful stones. A canary yellow squash, a ruddy pomegranat­e, a seckel pear.

To these natural objects, I added an old recipe booklet and a century-old buttermaki­ng paddle. Little cocktail forks. Old glass bottles with interestin­g shapes.

The box sits on the counter underneath our living room windows, and every day I look at it and feel a little sigh of pleasure. I love that I know exactly where each item came from, and that the collection is always evolving and will never be “done.”

So what exactly IS a cabinet of curiositie­s? The idea goes back at least to Renaissanc­e Europe, where “wonder rooms” full of knick-knacks and oddities from nature were created for study, inspiratio­n and contemplat­ion. Often these collection­s were gathered on one’s travels, and then displayed. Imagine a Pinterest board of quirky natural objects come to life.

These days, a cabinet of curiositie­s might include all sorts of collectibl­es. They can be housed in any kind of box, on shelves, maybe in an actual cabinet with a glass door. The cabinet can sit on a counter or be mounted on a wall.

It’s a wonderful conversati­on piece, since many items probably have stories behind them.

Fall is the perfect time to consider creating your own.

Yolanda Edwards, creative director at Condé Nast Traveler and Brides magazines, is an avid collector who takes her cues directly from nature.

“In the fall, I like the idea of collecting fallen things, like the first red leaf I spot, feathers, porcupine quills, a twig and, if I’m lucky, a nest — all in an autumnal palette,” she says. “I get to bring a moment of the season into the house, and live with it.”

Beth and Ryan Fowler, former antiques dealers from New Preston, Connecticu­t, advise restraint:

“When collecting, you want to pick with theme, curation and editing in mind. Not everything that catches your eye should make it into the mix,” they say in an email. “Remember that less is often more, and let the pieces stand on their own as well as amid their group.”

Remove redundanci­es. And use all your senses, not just the eyes, when choosing pieces, the Fowlers suggest.

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