Waterloo Region Record

Eye of Juliet showcases director Nguyen’s master storytelli­ng

- BRUCE DEMARA Toronto Star

You have to hand it to Montreal filmmaker Kim Nguyen. His latest film, “Eye on Juliet,” is dazzlingly original, an unconventi­onal love story of sorts that never fails to surprise.

From the get-go, when a dance club breakup between Detroit protagonis­t Gordon (Joe Cole) and his girlfriend jumps to a scene set in North Africa, you’re wondering how these two storylines are going to intersect. Have faith. Nguyen, who wrote the screenplay, is a master storytelle­r.

Immersed in grief, Gordon continues his job at a hightech company which uses spider-like robots to monitor a pipeline a world away — a pipe plagued by thieves seeking to tap into its black bounty. The robots are very cool, equipped with voice capability in various languages and weapons lethal enough to respond to those who don’t heed the warning to am-scray.

Meanwhile, Ayusha (Lina El Arabi) toils away at a menial job while having clandestin­e meetings with Karim (Faycal Zeglat), a paramour her parents don’t approve of. It is the kind of anguished love that Joe, who watches covertly through the robot’s eyes, understand­s too well. When Ayusha’s parents introduce her to the older man they insist that she marry, the young lovers plan their escape to Europe and freedom. But the money needed will require desperate measures.

The cinematogr­aphy of Christophe Collette captures the stark, varied beauty of the African landscape and the score by Toronto band Timber Timbre captures the mood of tortured passion and longing.

Cole is exceptiona­lly fine as Gordon, with a stillness hinting at deep wells of both pain and compassion, commanding the screen with an affecting simplicity and honesty. El Arabi conveys the anguish of Ayusha, whose dilemma mirrors the Shakespear­ean character of the title — a woman in love but trapped by the dictates of others.

Nguyen, a Best Foreign Language Film Oscar nominee for Rebelle (2012), demonstrat­es superb storytelli­ng at every turn, including a scene when a robot controlled by Gordon assists an old blind man who has lost his way. Their conversati­on is pure and poignant.

The sublime conclusion may even renew your faith in hope and love.

 ?? ENTERTAINM­ENT ONE SÉBASTIEN RAYMOND ?? Lina El Arabi in Eye on Juliet
ENTERTAINM­ENT ONE SÉBASTIEN RAYMOND Lina El Arabi in Eye on Juliet

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