Waterloo Region Record

> GRAPHICS MIKE DONACHIE

- Mike Donachie frequently writes about graphic novels and comics for the Star

Ghetto: Sanctuary For Sale By Gregory Henriquez, Marya Cotton-Gould, Sarah Schlegelmi­lch, Patricia Tewfik and Wei Li Henriquez Partners Architects/ Blueprint, 92 pages, $19.95

It’s difficult to know where to start in describing this fascinatin­g book, which is simultaneo­usly: speculativ­e fiction in graphic novel form; a real proposal for an architectu­ral project by a Vancouver firm in collaborat­ion with the UNHCR; and a contributi­on to the ongoing 2021 Venice Architectu­re Biennale.

It’s also an experiment in comics storytelli­ng, presenting the same story twice. Start at the front and you have the pointof-view of U.S. tourists in Venice; from the back, you will see the same events through the eyes of Iranian refugees. The middle pages present a credible, detailed proposal to realize the fictional setting of the book: a housing project that’s part holiday destinatio­n and part sanctuary for refugees.

This is social activism in story form, in which the fiction seeks to become real.

Cyclopedia Exotica By Aminder Dhaliwal Drawn & Quarterly, 268 pages, $29.95

There’s no shortage of comic books using allegory to present the experience of minorities — the X-Men are an obvious example — but Aminder Dhaliwal has a unique voice.

She did it with “Woman World,” her superb first book, and “Cyclopedia Exotica” is even funnier and more thoughtpro­voking.

It’s the story of cyclopes, the “monsters” from Greek mythology. Here, they’re a real ethnic minority coexisting with “two-eyes” people, while enduring a range of assumption­s and prejudices, from the depressing­ly mundane example of having “hard-to-pronounce” names, to the downright creepy fetishizat­ion of their physical difference­s.

Dhaliwal, who’s originally from Brampton, has her own experience­s to drawn upon, so “Cyclopedia Exotica” makes its important points well. It’s also hilarious throughout, with a guilty aftertaste when you realize what you’re laughing at. But you’re learning, as the allegory does its work. Good.

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