Western Living

DO TY 2021

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its strengths, weaknesses; what materials were well-suited for thriving in such an environmen­t. As with Wingspan, Vallely began with siting, in this instance crafting an L-shaped design that embraces the surroundin­g forest and makes the residence feel like “it’s a million miles away from civilizati­on.” For rainforest-durable material, Vallely hit upon corrugated metal, which envelops the entire structure in a protective embrace. But what could be an exercise in utility is transforme­d by the little touches that are sprinkled throughout— beautiful wooden windows set off by the industrial nature of the metal, unexpected canting of walls, a showstoppi­ng spiral staircase that anchors the two floors.

That love affair with steel is expanded with the Bridge House, an engineerin­g marvel in North Vancouver’s Pemberton Heights. Again, the explorer was presented with a challenge to conquer: a steep slope that was causing the two levels to feel disconnect­ed from each other. The solution: a bridge that both physically and visually connects the upper level of the house with the rear yard. But Vallely wasn’t finished— he continued the bridge inside the house, where it transforms into the central staircase, creating a spine that runs through and supports the entire building. And while visually disparate, all three homes share some Vallely hallmarks: a mix of hard and soft materials, a purpose-driven set of compelling moments and a deep collaborat­ion with the homeowners. It’s the last of those that drives the architect: “If you convince the client to align with your visions, there’s nothing holding you back in residentia­l architectu­re.”

It’s a view that Gandhi sees paying dividends in the future of the one-man firm: “The architectu­ral accolades and accomplish­ments will come—I have absolutely no doubt.”

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