Windsor Star

GETTING THE JOB DONE AT HOME

Ways to create space for business life when you live and work under the same roof

- AUDREY HOFFER

Working from home has become as ordinary as having a job in the first place. No one blinks at a request to go remote part-time, because traditiona­l separation­s between work and home are softening.

But what if you must live and work under the same roof full time? If you need a work surface the size of ping-pong table, or you need running water, or your boss at the headquarte­rs out of town just plain doesn’t want to pay rent for your office anymore? How do you meld your working space with your home?

Jerry Zremski, bureau chief for the Buffalo News and a former National Press Club president, confronted this reality.

“For years, we had a two-reporter, plus intern, bureau in the National Press Building, but in March 2010, I started working at home. My employers felt it made financial sense,” he said, sitting behind his spacious white desk.

“It was a big sacrifice. This was a guest bedroom,” he said gesturing around the 10-by-12-foot (three-by-3.7-metre) bright and airy room. “Now I give up my bedroom for guests.”

Years ago, Zremski renovated his two-bedroom condo. So he brought back Natalya Mumzhiu with NM Design Studio and asked her to rethink the second bedroom.

“I wanted it to look like an office, because if it was just me and my laptop at the kitchen table, it wouldn’t feel like work,” he said.

“Jerry called and said he was moving his office into the house,” Mumzhiu said. “I also work from home and know how important it is to have a pleasant, organized and profession­al space.”

She placed the desk perpendicu­lar to the windows “so he could look outside all the time with just a turn of his head,” she said. “I told her I needed a lot of room for files, and she said, ‘I’ll invent something,’” Zremski said.

She made a desk from an Ikea kitchen countertop and set it over three file cabinets. She built wood shelves onto the walls and covered cabinets with frosted glass doors. “Glass creates a peaceful atmosphere and tricks the eye, making the space look bigger than it really is,” she said.

“This is an office 100 per cent. If you looked just at this room, you’d see an office and never guess it was in a condo,” he said.

Artist Larry Kirkland designs monumental site-specific installati­ons for institutio­ns around the world. His 40-foot-high (12.2-metre-high) bronze doors, etched in Latin verse from the first page of Genesis in the Gutenberg Bible, form the entrance to the new Museum of the Bible in Washington.

He conceives these works in a light-filled double garage-sized studio — designed by architect Michael Lee Beidler — that joins his house with translucen­t glass pocket doors. “So I keep the light between the two spaces,” Kirkland said.

The rectangula­r studio is bookended by walls of paned windows and doors that face a porch on one side and a yard on the other.

“The space is magnificen­t for my private working world and our home life,” he said. Kirkland lives with his partner, Brendan Doyle. “We transform it for dinner parties and holiday meals. We had Brendan’s retirement party here. That was the bar,” he said, pointing to the drafting table piled with drawings and books.

A huge eggshell-coloured metal layout table on wheels dominates the space and is Kirkland’s primary working area. They roll it onto the porch for their 30-person U.S. Thanksgivi­ng dinner. Now it’s covered with pieces of the bronze doors, slabs of engraved granite and a model for an addition to the D.C. Superior Court.

The giant nine-foot-high (2.7-metre), 18-foot-long (5.5-metre) wall behind the layout table “is my pin-up wall. In the future, when we sell the house — I know we won’t live here forever — a family can open up the space with a fireplace or windows,” Kirkland said.

Roommates, partners, even spouses can sometimes be problemati­c. “I think if one works at home, you have to separate your places and be discipline­d. Now that Brendan is home more often, he’ll barge in and say, ‘Let’s have lunch.’ But I don’t want lunch. My idea of lunch is to stand at the kitchen sink, eat half a sandwich and not dirty any utensils so I don’t have to worry about cleaning up.”

Edmond van der Bijl, an entreprene­ur, innovator and artist who paints, sculpts and creates video, also contends with his wife, Arianna, and two small children at home.

Occasional­ly, he rents a studio, but mostly he works from the family house.

“I try to set up a little corner in a room that’s dedicated to me, where I can lock the door. But it’s not a private office or a cocoon. People walk through,” he said.

“As we speak, I can hear my son crying, and it’s killing me. Parenthood makes your life less comfortabl­e, but artistry isn’t about being comfortabl­e. It’s about stretching your creativity and powers of observatio­n and getting comfortabl­e with things not being perfect.”

Ann Lauer works in the basement of her home. “I require a lot of tools — chisels, razor knives, awls — plus water, rolls of cane, rush, cord, rattan and wicker. It’s messy, so it’s perfect to work down there,” she said. Lauer has been weaving, caning and repairing antique chairs for 40 years.

“I set up a large shop across the basement. At the back end is a sink. In the middle is a large table and lots of chairs. I have a TV because some of my work is time-consuming and tedious,” she said. “I watch movies to keep me company.”

Some people don’t even try to separate work from home. Lauer is one. “My work is always around. Customers call me all the time, evenings, weekends, holidays and occasional­ly at 7:30 in the morning,” she said. “I’m super-discipline­d. I get up and start working. But I like my work, so it doesn’t bother me. And I have an active social life.”

Zremski tries to demarcate the end of a working day with a distinct break. He goes to the gym or meets friends. “It’s difficult to really make the separation between work and home, especially when the commute between my bedroom and desk is 10 seconds. The unavoidabl­e result is that the personal blends with the work,” he said.

“I try not to come into my office when I’m not working, but if I need the recipe for Thai basil chicken I can’t help it,” he said, because his recipe folder is on the computer. Then, of course, he checks email.

The evolving state of workplaces has led to a remote-friendly culture, a lot of give-and-take and self-imposed rules.

“The entreprene­urial nature of working out of the house forces you to make the most of situations that aren’t always ideal,” Van der Bijl said, “but hustling to be creative elicits the best of people.”

 ?? PHOTOS: KATHERINE FREY/THE WASHINGTON POST ?? Built-in bookcases help define some of the space in artist Larry Kirkland’s home office/studio.
PHOTOS: KATHERINE FREY/THE WASHINGTON POST Built-in bookcases help define some of the space in artist Larry Kirkland’s home office/studio.
 ??  ?? At his drafting table, Larry Kirkland creates some of the drawings for his large-scale public art projects.
At his drafting table, Larry Kirkland creates some of the drawings for his large-scale public art projects.
 ??  ?? “I keep the light between the two spaces,” artist Larry Kirkland said.
“I keep the light between the two spaces,” artist Larry Kirkland said.
 ??  ?? Built-ins include cubbies for paper, a corkboard and bookcases.
Built-ins include cubbies for paper, a corkboard and bookcases.
 ??  ?? Kirkland has a large metal layout table in the centre that can easily be moved around his home to double as a serving table for dinner parties.
Kirkland has a large metal layout table in the centre that can easily be moved around his home to double as a serving table for dinner parties.

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