BEYOND THE BOOK
Small-screen Handmaid’s Tale is about to enter the post-Margaret Atwood era
The Handmaid’s Tale Season 2 debuts Sunday, Bravo; Monday, CraveTV It’s not always easy turning a beloved book into a TV show. But Bravo hit it out of the park with its first season of The Handmaid’s Tale, which took home the top drama series prizes at the Emmys and Golden Globes. So what happens when you pick up where the book left off ? “This is a more common experience for me in television writing, approaching something without source material,” showrunner Bruce Miller said.
“It was a little bit more comfortable than adapting one of the world’s greatest pieces of literature, which, you know, has a smidgen of pressure attached to it.”
Below are highlights from a conversation with Miller.
HOW TO PICK UP THE SHOW AFTER THE NOVEL ENDED:
The way we approached it was very much try to make it still feel like the world Margaret Atwood created. A lot of times you adapt a classic work and the author is unfortunately long gone, and Margaret’s very much with us, so we got to pick her brain for what her thinking behind the story was. But also the biggest thing, honestly, was she was so encouraging with coming up with new stuff.
POTENTIAL FUTURE SEASONS:
Given the rich, very dynamic world Margaret set up, there really is no shortage of possible stories. There’s international elements, there’s political elements, beyond just the personal. There’s all these flashbacks of how Gilead came to be.
SHOOTING AMID HOLLYWOOD’S SEXUAL MISCONDUCT REVELATIONS:
It caused a lot of discussions that were kind of embarrassing, and honest and difficult. When you’re in a position like I am, you feel ashamed that things are happening all around you that you never were aware of, which just makes you feel like a dope and a bad boss and a bad friend. The first thing you do is turn to your friends and colleagues at work and say, “Is this how things work here? Is this how things were back in your career?”
THE POLITICAL ENVIRONMENT SHAPING SEASON 2:
It’s a combination of just having a bunch of news and political junkies on the writing staff and in the cast, and it’s a very political time. People are talking politics all the time — that isn’t true at every point in history — about what it means to be a democracy, and the way we would need to be led and what is moral leadership. And that’s kind of the world the show swims in. We certainly don’t have to reach for relevance. Margaret did that for us, and unfortunately, the tide of history did that for us.
THE CRITICISM THAT SEASON 1 DIDN’T DIRECTLY ADDRESS RACE:
In (the book) it was an all-white society. And we didn’t want (the show) to not look like the society that people have around them today, because anything that can make it not your world, it can make it feel not as scary.
It is important for us to represent people of colour both visually in the world and narratively, and follow these people’s stories ... We’re dealing with politics and fertility, and good God, there’s women’s sovereignty over their own bodies, and I think we’re just going to continue to focus on that struggle. But race is a huge factor in that. This season, we made kind of a big effort to explore those things a little more deeply.
AUNT LYDIA (ANN DOWD) AND OTHER CHARACTERS’ BACKSTORIES:
Even though we wanted to tell Aunt Lydia’s backstory this year, we didn’t end up getting to it. You just have so much story to tell. Some shows, I feel like they do backstory just to do backstory, but for us it’s so much part of the present story. This year we see a little bit of Emily’s backstory, with Alexis Bledel. We see a good bit of Moira’s (Samira Wiley) backstory.
But also I’m incredibly curious about what the heck leads someone like Lydia to be the amalgam of cruelty and charity that she has become.
HOW TO BEST WATCH THIS EMOTIONALLY TAXING SERIES:
Listen, I’m with you. I find it a really challenging show to make and watch over and over again, because a lot of it is stories of a terrible place. A character like Offred (Elisabeth Moss), what makes her triumph so miraculous is the fact that (her circumstance) is so horrendous and awful. It’s so gut-wrenching. So in one way her heroism is measured against the terribleness of the locale that she’s been posted in. But I would say my advice to people is, one at a time. We very, very much did not write a show to be binged. Not that you can’t, but people who say that they binged it — I think you need a lot of scotch in a baby bottle and a blanket for a while.
We’re certainly not trying to make it impossible to watch. You don’t want it to turn into torture porn. We followed the same rule that Margaret followed, which was what happens to our characters, especially the women, isn’t something that hasn’t happened to women or isn’t happening to women right now.