Windsor Star

Tarnished Jewell

Atlanta newspaper seeks disclaimer over depiction of reporter in new film

- SADAF AHSAN

Richard Jewell, Clint Eastwood’s latest film, has been hit with heavy criticism ahead of its release.

The film follows the real-life story of Jewell, the man falsely accused of orchestrat­ing a pipe bomb attack in a park in Atlanta, Ga., during the 1996 Summer Olympics.

It also features actress Olivia Wilde as Kathy Scruggs, the reporter at the Atlanta Journal-constituti­on (AJC) who wrote a story naming Jewell as a suspect. In Eastwood’s film, Scruggs has sex with an FBI agent to get informatio­n on the story.

AJC editor Kevin Riley took issue with this last month, telling The Hollywood Reporter, “there is no evidence that this ever happened, and if the film portrays this, it’s offensive and deeply troubling in the #Metoo era.”

Scruggs died in 2001. And so, the AJC is sticking up for its reporter, demanding Warner Bros. release a disclaimer acknowledg­ing it took “dramatic licence” in its portrayal of Scruggs.

A letter addressed to the studio, Eastwood and screenwrit­er Billy Ray reads: “We hereby demand that you immediatel­y issue a statement publicly acknowledg­ing that some events were imagined for dramatic purposes, and artistic licence and dramatizat­ion were used in the film’s portrayal of events and characters. We further demand that you add a prominent disclaimer to the film to that effect.”

Speaking to Variety, Riley said, “I think this letter makes it clear how seriously we take the misreprese­ntation of our reporters’ actions and of the actions of the newspaper during that time.

“We have been clear about how disturbed we are in the film’s use of a Hollywood trope about reporters … and how it misreprese­nts how seriously journalist­s concern themselves with reporting accurately and ethically.”

AJC reporter Ron Martz, who worked with Scruggs on the bombing coverage, said, “My concern is they’re going to turn her into some sort of femme fatale who would do anything to get a story.

“If they had actually contacted me, it might have ruined their idea of what they wanted the story to be. It’s obvious to me they did not go to any great lengths to find out what the real characters were like.”

Wilde, meanwhile, has defended the portrayal of Scruggs, telling Variety recently, “I think it’s a shame that she has been reduced to one inferred moment in the film. It’s a basic misunderst­anding of feminism as pious, sexlessnes­s. It happens a lot to women: We’re expected to be one-dimensiona­l if we are to be considered feminists. There’s a complexity to Kathy, as there is to all of us, and I really admired her.”

If the paper wins its case, the studio will have to act fast, since the film is scheduled to hit theatres Friday.

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Olivia Wilde

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