ZOOMER Magazine

HOLLYWOOD EAST

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IN SEPTEMBER, 1993, Kim Campbell served as Canadian Prime Minister, the Toronto Blue Jays prepared to defend their World Series title and The Joy Luck Club, a Chinese familial drama, hit the big screen. It would be a quarter century before Hollywood produced another non-period film featuring an all-Asian cast. In the meantime, Tinseltown’s been busy spotlighti­ng stories and struggles of toys that come to life, aliens, monsters, superheroe­s and countless Caribbean pirates. Asians have to wait their turn, right?

That turn arrives with Crazy Rich Asians, a rom-com based on the first tome in Kevin Kwan’s literary trilogy, about a Chinese-American woman who learns of her boyfriend’s epic wealth while at a wedding in a mysterious Singapore community. The all-Asian cast shrinks the sinkhole-sized representa­tion gap in Hollywood while drawing attention to its history of whitewashi­ng Asian characters, like Emma Stone’s half-Asian Hawaiian woman in 2015’s Aloha and Scarlett Johansson’s turn as a Japanese character in 2017’s Ghost in the Shell.

“Most important, it’s an entire movie about Asians without martial arts or stereotypi­cal nerds,” Chinese-American journalist Allyson Chiu explained in The Washington Post. “When I viewed the trailer, I saw for the first time in my memory a female lead with whom I shared not only my appearance but my experience­s.”

Meanwhile, it’s the fighting spirit of the film’s 55-year-old co-star Michelle Yeoh — the celebrated Malaysian star of Crouching Tiger, Hidden Dragon and the most butt-kicking Bond girl ever in Tomorrow Never Dies, which helped land her a top Rotten Tomatoes’ ranking of “The 25 Best Action Heroin es of All Time ”– that mirrors the steadfastn­ess she and fellow Asians employ to be recognized in this industry. And even Crazy Rich Asians faces controvers­y, from anger over the casting of Henry Golding due to his Eur asian( half-Malaysian, half-British) heritage to the absence of Singapore’s many ethnic minorities. Still, it’s a start. Now we’ ve had two all-Asian Hollywood films in the last 25 years. Talk about crazy. — Mike Crisolago

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