ZOOMER Magazine

CULT CLASSICS

- —Rosemary Counter

ON THE SURFACE, Frank Capra’s It’s a Wonderful Life and Wes Craven’s Scream have little in common. They’re different genres and enjoyed by entirely different generation­s. But as each film celebrates a big anniversar­y – 75 for Wonderful Life and 25 for Scream – a closer look reveals some fascinatin­g parallels. Both revitalize­d a genre thought to be lost: Life for nostalgic fantasy and Scream for cheesy slashers, each with a clever and subversive self-awareness of the genre’s tropes and clichés. (In Life, Jimmy Stewart, playing George Bailey, runs through town proclaimin­g “Merry Christmas” to buildings, and in Scream, Rose McGowan’s Tatum pleads, “Please don’t kill me, Mr. Ghostface, I wanna be in the sequel!”) Life landed just in time for the first Christmas after the Second World War; while Scream was released just in time for Christmas ’96, appealing to grunge-loving moviegoers craving blood and gore instead of holiday schmaltz. Like most cult classics, both films started slowly, gathered momentum and earned cred over time: It’s a Wonderful Life, when it lapsed into the public domain and onto the Christmas Eve TV lineup; and Scream, when it found its legs after a lacklustre opening weekend and became a Halloween classic that inspired a million Ghostface costumes. No spoilers, but each ends with a main character begging for the privilege to live – Jimmy Stewart to God above and Neve Campbell to a masked serial killer. And whether heartwarmi­ng or terrifying, each movie is a generation-defining film worth watching, and rewatching, this year and every year after that.

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