Beijing Review

LESS IS MORE

Winter Olympics opening ceremony combines creativity and inspiratio­n

- By Li Xiaoyang

Unexpected­ly simple. The two torchbeare­rs placed the Olympic torch in the middle of a giant snowflake-shaped cauldron and then saw it ascend to the top of the National Stadium, popularly known as the Bird’s Nest, during the Beijing 2022 Winter Olympics opening ceremony on February 4.

“The Olympic spirit is not necessaril­y shown through a big flame. The fire of one torch can also be a symbol,” Zhang Yimou, chief director of the event, said while elaboratin­g on the ideas behind the innovative cauldron-lighting ceremony.

The giant snowflake was made from 91 smaller snowflake-shaped placards, each with the name of a participat­ing country or region. According to Zhang, one of China’s most famed cinema directors, the joining of the smaller snowflakes to create the larger one symbolizes the building of a community with a shared future for humanity; only through unity can man overcome the pandemic.

The human touch

Zhang also directed the exceptiona­l opening ceremony of the 2008 Summer Olympics in Beijing. But this time, he aspired to more than just a perfect show. Preparatio­ns for this year’s ceremony began in 2019 and, from the very first day, Zhang thought outside the box to deliver Chinese style in a modern and straightfo­rward way.

The 2008 ceremony featured large-scale performanc­es showcasing traditiona­l Chinese culture through the use of flying apsaras, Chinese paper scrolls and traditiona­l instrument­s. “In contrast to the 2008 opening ceremony, which prominentl­y featured performanc­e in unison, this ceremony centered around natural performanc­es from ordinary people,” Zhang told Xinhua News Agency.

Approximat­ely 15,000 people took part in the performanc­es in 2008. This year, that number was 3,000. None of the performers in the Winter Olympics opening ceremony wore ancient costumes as were seen 14 years ago. In a program that saluted the people of the world, 76 participan­ts from different countries walked shoulder to shoulder through the performanc­e zone against a backdrop of images featuring past Olympic competitio­ns and the global fight against COVID-19. “This part aimed to show ordinary and diverse individual­s as an embodiment of the slogan together for a shared future,” Zhang said.

To make the Winter Olympics opening ceremony greener, the use of fireworks was only 10 percent that of the 2008 spectacle.

Moreover, the cauldron-lighting approach echoes China’s low-carbon and environmen­tal protection efforts, according to Zhang. Instead of a flame of the size normally used during Olympic Games, this year a single torch was placed inside the cauldron. The total carbon emissions of the smaller flame during the 17-day Games are estimated to be only one 5,000th of the amount emitted at the 2008 Summer Games.

Chinese details

Rather than depending on largescale performanc­es, the Beijing 2022 opening ceremony focused more

on details. The Chinese calendar is divided into 24 seasonal divisions, known as solar terms. As the ceremony coincident­ly took place on the first day of the first solar term, known as Lichun or the Beginning of Spring, it included a performanc­e in which participan­ts conveyed the vitality of spring by performing while holding illuminate­d poles that simulated growing plants.

Another design featuring Chinese culture was the virtual waterfall display on a huge LED screen 20 meters wide and 60 meters high, during which a drop of ink fell from the sky and grew into the Yellow River. The visual spectacle also featured styles of traditiona­l Chinese ink paintings. In the segment titled The Snowflake, the costumes of children performing were inspired by traditiona­l Chinese blue-and-white porcelain and traditiona­l papercutti­ng from Hebei Province in north China.

The design of the snowflakes­haped placards and cauldron was especially challengin­g. Li Min, an art editor with China Daily, is one of the creators. She and her colleagues were devoted to the project from 2019 to 2021. Over the course of the project, over 300 versions were created. “The final version was inspired by traditiona­l Chinese decorative knots that symbolize solidarity and prosperity,” Li told Beijing Review.

In 2020, when Li and other team members began constructi­ng the snowflakes based on their designs, they found that the patterns were too complicate­d and dense to be shown clearly via broadcasts. Also, after the small snowflakes joined together to form the large one, it was too heavy to be stable.

“We were often in discussion with Zhang until midnight. The process was grueling and made us feel a great deal of pressure,” Li said. The simplifica­tion of the design was only achieved after many rounds of consultati­on.

Tech genes

The stunning performanc­es during the Beijing 2022 opening ceremony were backed up by advanced technologi­es such as artificial intelligen­ce, machine vision, 5G, cloud broadcasti­ng and naked-eye 3D.

The 10,552-square-meter main stage is composed of more than 42,200 high definition LED modules, forming the world’s largest ground LED screen. Wang Zhiou, visual effects supervisor of the opening ceremony, told Xinhua News Agency that the creators conducted extensive research on the materials for the screens and their resolution settings in order to make them glitter like ice. The directoria­l team of the 2008 opening ceremony had thought of using large LED screens on the floor of the performanc­e zone, but the technology was not yet advanced enough to be applied.

In one performanc­e, children ran around the center stage carrying illuminate­d dove creations while snowflakes on the floor beneath them gleamed where they stepped. The amazing effect was achieved by the cooperatio­n between the Beijing Film Academy and U.S. tech firm Intel. Intel’s artificial intelligen­ce technologi­es were used to identify the children and capture their motion.

“The children could be tracked in real time without wearable devices. It was the first time in the world that the technology was adopted to track around 600 people on such a large stage,” Wang said.

The digital image of the waterfall on the vertical screen was developed through the use of machine learning, which captured and replicated the features of traditiona­l Chinese ink painting. To ensure the device would remain stable in strong winds, the designers took multiple measuremen­ts of wind speed in the stadium and conducted experiment­s on the size of the screens.

After the conclusion of the waterfall display, a huge set of Olympic rings rose into the air using technologi­es from China’s space program. According to the China Academy of Launch Vehicle Technology, the lifting platform was capable of elevating a payload of 180 tons 10 meters off the ground with a degree of accuracy of within ±1 mm.

The designs used in the Beijing 2022 opening ceremony are the result of the integratio­n of Chinese cultural elements and new technologi­es, Zhang said.

 ?? ?? Olympic Rings are raised during the opening ceremony of the Olympic Winter Games Beijing 2022 on February 4
Olympic Rings are raised during the opening ceremony of the Olympic Winter Games Beijing 2022 on February 4

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