Beijing Review

The Open Battlefiel­d

- By Liang Xiao Copyedited by Elsbeth van Paridon Comments to liangxiao@cicgameric­as.com

If we say the First Gulf War, from August 1990 to February 1991, was the firstever live-broadcast military conflict in the television era, then the Russian-Ukrainian conflict in February can be considered the first mass combat scene of the social media era. Although the actual fighting occurs on Ukrainian territory, people on all continents are involved online—albeit intentiona­lly or not. Social media has become a stretch of unrestrict­ed battlegrou­nd.

The scale of this warfare on public opinion is unpreceden­ted. Both warring sides are playing out the war for the world on social media, using the latter as a tool for either publicity or propaganda, hoping to gain the moral command. At the same time, social media provides a platform for people from all walks of life to express their views: the clash of thoughts by no means inferior to the live ammunition fired across the frontline.

On February 15, when the situation in Ukraine was still unclear, Chinese netizens discovered a post on Weibo, China’s Twitter equivalent, issued by the official “British Prime Minister” account, urging every - one to “engage in dialogue—the Russian Government should avoid making decisions that are catastroph­ically wrong for the country.” Subsequent­ly, the official Weibo accounts of the embassies of Ukraine, Russia and the U.S. in China chimed in on the topic.

At this point, the vast majority of Chinese netizens still held their position of onlooker, and simply believed the importance attached to the Chinese social media platform—by all parties to the conflict—to be a sign of China’s rising internatio­nal status.

As the situation evolved, China’s mainstream media still tried to remain objective and impartial on the issue, but divergent standpoint­s had already begun sprouting across social platforms.

Compared with the “grand narrative” of previous war reports, what ordinary people see, hear and feel within the war zone can make its way to internatio­nal eyes and ears in the era of social media, in a “micro-narrative” way. The fear and helplessne­ss of the Ukrainians trapped by violence struck—and strike—an empathetic chord with netizens through the photos and short videos being uploaded across different Chinese platforms.

Many long-term China residents from Ukraine introduced their hometown situations in Chinese, expressing their grave concerns for their loved ones, deeply touching the hearts of the Chinese people.

China has always had a culture of sympathizi­ng with the weaker, and it is human nature to care for civilians victimized by acts of war. Many had hoped to raise money for those in need, but were left disappoint­ed when the Ukrainian Embassy in China announced on its official Weibo account Ukraine’s National Bank was accepting donations, but the money would “support the Ukrainian armed forces.”

The majority of the Chinese may be more emotionall­y supportive of the Russian side. Yet this is not entirely due to the friendly relationsh­ip between the two countries. General belief holds that the underlying causes of the Ukraine crisis are tremendous­ly complex and far from black and white. These netizens consider the U.S. the principal puppet master behind many a regional conflict. In their opinion, Russia is caught in anger over the U.S. and its allies’ disregard of its security concerns. And, they wonder, if Russia is being dragged down by the U.S., will China be next?

The era of social media at its very core is an era of respect for pluralisti­c ideas. Many may not realize that, in this day and age of ubiquitous judgment, every word can have far-reaching impact: The price of greatness is responsibi­lity over each of our thoughts.

 ?? ?? Volunteers register donations by local residents for people from Donbass in a university in Rostov-on-Don, Russia, on March 2
Volunteers register donations by local residents for people from Donbass in a university in Rostov-on-Don, Russia, on March 2

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