China Daily (Hong Kong)

Could your vintage jewellery be worth more than your house?

- By CAROLINE LEAPER

Dust off your old jewellery boxes and open-up the family vault because you might just be sitting on a fortune. That’s the message from London auctioneer Bonhams early this year, as they announced new figures showing the soaring value of vintage jewels.

Bonhams say the value of antique and period jewellery has increased by over 80% in the last decade — outdoing average house prices in England, which increased by 47% over the same period. Estimates have been abandoned on auction days, as items have been fetching double, sometimes triple, their prediction­s amid fierce bidding wars. And it’s prompted the auctioneer to launch a campaign urging the public to seek valuations for any forgotten gems they might have stashed away.

“An Art Deco Cartier emerald and diamond bracelet that we sold in December was estimated at £80,000-£100,000 and it made £210,000,” says Jean Ghika, head of jewellery at Bonhams UK and Europe. “These types of instances are our key indicators of a gain in momentum. It’s the quality of craftsmans­hip that is resonating with buyers, the types of stones that were used back then, compared to a modern piece, are special.”

Vogue’s jewellery editor Carol Woolton isn’t surprised by the jewellery market’s strength in the current economic climate. “There are so few investment­s that are reliable right now — stocks are in a state of insecurity, but gold and diamonds will never be a risky purchase for a rich person trying to maintain their wealth,” she says. “There are limited resources in the world, mines will run out and there is a finite number

of precious stones — that’s what gives it a rarity value.”

Antiques

Even if you haven’t got a spare Cartier brooch in the attic to auction off, it’s worth noting that the trend described extends beyond designer names, and applies to specific stones, metals and eras, too. If the catwalks are revisiting silhouette­s from a particular decade, the interest will echo through the jewellery world. “Signed items from the Art Deco period and antiques over 100 years old will always be in demand,” says Ghika. “But we’re now seeing post-war period, 1950s jewellery, as well as pieces from the 1960s and 1970s really performing well too.”

The thing that often prevents people from having their jewellery valued is the assumption that family heirlooms have been set aside because they’re no longer fashionabl­e won’t be worth anything. “People often look at their items without understand­ing their importance in the context of jewellery history,” says Ghika. “We recently discovered a wonderful and rare Chanel Twist necklace, which a client had brought to a valuation day, but had thought it was just a piece of costume jewellery. But Chanel did

make real jewellery as well as pieces in non-precious materials.” This 1950s necklace had a discreet engraving on the inside, indicating that it was actually designed by Coco herself, and it subsequent­ly smashed its estimate of £6,000, fetching £68,500 on auction day.

Damage

So how can you tell if something is valuable when digging through an old jewellery stash? Start with the logos and hallmarks, suggests Ghika, noting that the big names (Cartier, Tiffany, Bulgari, Boucheron and Van Cleef and Arpels) will always be winners, but that key names from modern eras (like Andrew Grima of the 1960s, or John Donald of the 1970s) will have equally held their value. Next you should assess the piece’s constructi­on; do the stones have rough edges, are they generously packed in, or was its maker trying to scrimp by using more metal, less diamonds?

Even the battered and broken is not entirely beyond hope. “It’s not necessaril­y the end of the world if something has had some damage,” says Ghika. “Profession­al repairs, if done well, can be discreet. We have had items come into us in two pieces before and, after it is mended, it

hasn’t greatly impacted on the value.”

The best way to truly know what something might be worth is, of course, to get it valued by a profession­al. Because it is unlikely that you will be able to tell that the sapphires in granny’s heirloom ring were super-desirable specimens from the Kashmir region or the product of a rare mining community that was only operationa­l for a ten years at the end of the 19th Century. “The Bonhams website offers the option to submit photos if you want to get an initial impression from our experts, then we hold regular valuation days all over the UK,” advises Ghika.

Classics

What you can do for yourself, though, is take care of the stocks you’ve got — whether you’re ready to sell them or not. “If you ever think you might sell jewellery on, then you must keep the boxes,” urges Woolton. “The boxes and the paperwork for stones will really add to their value and save a lot of confusion as to what something is when you sell.”

The worst thing you can do is to let your old jewellery rattle around in a disorganis­ed box. “Don’t overclean old pieces,” Ghika also warns. “Part of the history is the pattern that it has and if it’s stripped off then it lacks some of its soul.” Other expert tips include not keeping hard and soft stones together to prevent erosion, wiping pearls with a cloth after every wear to remove any oils or perfume, and even splitting pairs of earrings into individual soft pouches so that they don’t rub together.

If you’re keen to run with ‘gems over property’ as your new investment mantra, the experts say you may have to wait a while for the dividends if you choose more recent pieces. “Jewellery takes a long time to appreciate,” says Ghika, who suggests buying classics distinct to particular makers, like Cartier’s Panthère collection. Woolton, meanwhile, tips Dior’s fine jeweller Victoire de Castellane as one who will create the “masterpiec­es of our time.”

One thing all experts agree on however, is that primarily jewellery should be worn and enjoyed, with any increase in value seen as an added bonus. “It’s all very well owning these wonderful things,” says Woolton. “But if investors lock them away and don’t wear them then you have to ask; where’s the fun in that?”

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