China Daily (Hong Kong)

Photograph­er gives rural elders an image to cherish

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XI’AN — Yang Xin, a young photograph­er from Northwest China’s Shaanxi province, has been catapulted into the spotlight recently thanks to a public-service project that has touched many hearts.

While working with elderly people in her home city of Shangluo, the 37-year-old photograph­er discovered that many of them lacked a portrait image that could be used in the event of their death. She quickly began focusing her lens on this special group of clients, helping to ensure they are remembered looking their best.

Over the course of more than three years, she has provided funerary portraits for over 2,000 rural seniors.

“Many elderly people in mountainou­s or rural areas don’t have profession­al portraits, except for their identity-card photos. When they pass away, some families cannot even find a good portrait to use at their funerals,” Yang says.

It all started in 2017, when she set up a public-welfare center in Shangluo named Caihong, meaning “rainbow” in English. Her team originally aimed to help “leftbehind” children in the Qinling Mountains whose parents had gone to work in cities, leaving their offspring in the countrysid­e.

She soon discovered another group that needed care and assistance, namely elderly people who were left idle in their “empty nests” as their children flocked to cities in search of better wages.

Among the most obvious ways that Yang could help this group was by providing them with the photograph­s that they lacked. She establishe­d a project to give framed portrait photograph­s to everyone over the age of 60, free of charge.

In Chinese culture, memorial portraits are used to honor the dead at funerals, and can serve as a vehicle for rememberin­g and respecting deceased loved ones.

Yang’s first attempt at producing such a photo took place in Yecun village at the end of 2018.

“Many senior villagers were skeptical about this project. After they gave it a shot and found that we were taking pictures free of charge, the news spread by word of mouth and more people got involved,” she recalls.

The portraits were printed, but due to various delays in the work process, they were not distribute­d to their owners until early 2019. “We felt very sad because several elderly clients had passed away before they received the photos,” Yang says.

Since then, her team has sped up the photograph­y and printing processes, trying to ensure that every elderly client gets to see their funerary portrait in good time.

Keen to ensure the clients look their best, volunteers stand ready to help those who have trouble taking care of their appearance. Hair is combed and collars straighten­ed before the shutter is pressed.

Volunteers also squat beside those with Parkinson’s disease to ensure they don’t fall while posing for the camera.

As part of the service, Yang has held special photo exhibition­s in the village squares. Her elderly clients would gather around to discuss their faces and the topic of death, exuding an air of relaxed calm.

“There are fewer gray hairs on my head than yours,” one elderly villager told her friend.

“Oh, really? I think I have a better smile,” the friend answered.

For Yang, such interactio­ns provide confirmati­on that the project has been worthwhile. “When they looked at their portraits, they were as happy as children,” she says.

The project has also received praise online.

“My grandpa passed away last year. Yang captured the most beautiful moment in his life,” one internet user wrote.

Yang says that many younger people have spotted the photos online and been reminded of the need to visit their elderly relatives. “The rural revitaliza­tion strategy makes lives of the rural elderly better. Still, they need companions­hip and communicat­ion from their families,” she says.

The photograph­er plans to continue the work of providing the elderly with portraits, aiming to spread positive energy to more people.

“Everyone will grow old and every life needs to be respected. I hope to see more elderly people’s smiling faces through my lens,” she says.

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