China Daily (Hong Kong)

Power of the past fuels museums’ prosperity

- By WANG KAIHAO wangkaihao@chinadaily.com.cn

More than 6,000 museums have been establishe­d across China, and Chinese museum operators are continuous­ly endeavorin­g to innovate the experience­s they provide for visitors, even with the sporadic and lingering impact of COVID-19.

According to statistics released by the National Cultural Heritage Administra­tion on Wednesday, which was also Internatio­nal Museum Day, 6,183 museums had been registered on the Chinese mainland as of the end of 2021, one of the most for any country in the world.

The number increased by 395 last year alone. About 90 percent are free to the public.

About 36,000 exhibition­s were held across the nation in 2021 — the most in its history — and about 779 million visits were made to Chinese museums last year.

Due to nationwide measures to contain the virus that capped visitor traffic, there was still a big gap between that number and the record set in 2019, when 1.2 billion visits were made to museums nationwide.

Neverthele­ss, it marked a significan­t rebound, considerin­g the 540 million visits made in 2020.

Separately, over 3,000 virtual exhibition­s and over 10,000 educationa­l programs were organized online by Chinese museums last year. They combined to attract 4.1 billion views.

Internatio­nal Museum Day was launched in 1977 by the Internatio­nal Council of Museums. This year’s theme was “the power of museums”.

Each year since 2009, China has chosen a host venue to be the center of various nationwide activities celebratin­g Internatio­nal Museum Day.

Hubei Provincial Museum in Wuhan is the main venue this year.

Highlighte­d exhibition­s, symposiums on museum operation and the training of young talent, and lectures on cultural relics among other key activities were held in Wuhan.

“Chinese museums have actively participat­ed in social and economic growth with a bigger picture in mind,” Li Qun, director of the National Cultural Heritage Administra­tion, said in a keynote speech delivered online at the celebratio­n.

“Cultural heritage has provided inspiratio­n for regional developmen­t, rejuvenati­on of urban communitie­s and the vitalizati­on of rural areas.

“Museums can further contribute to the general prosperity of culture and ... mutual exchanges among civilizati­ons,” he said.

Li vowed that China would continue to be active in internatio­nal exchange programs and cooperatio­n for global governance concerning museums.

In 2021, though the pandemic continued to have a huge impact on internatio­nal travel, Chinese museums and overseas counterpar­ts still joined hands to overcome difficulti­es and breed fruitful communicat­ions.

For example, the 19th triennial conservati­on conference of the Internatio­nal Council of Museums was held last year, with more than 1,000 conservati­on experts, conservato­rs and scholars from over 60 countries joining in online.

Last year, Shanghai Museum organized an exhibition of a panoramic review of ancient Chinese bronze wares for the Republic of Korea.

It was the largest exhibition of its kind held overseas by Shanghai Museum. Bronze wares are among the museum’s signature collection­s.

Thanks to Masterpiec­es in Miniature, an exhibition held in Zhengzhou, Henan province, the famous treasures of the Rosalinde and Arthur Gilbert Collection at the Victoria and Albert Museum in London, were showcased in China for the first time last year.

Following the opening of the Incredible Syria exhibition in Shenzhen, Guangdong province, key antiquitie­s from the Western Asian nation and its brilliant ancient civilizati­on also made their first journey to China in a large group.

“During the pandemic, museums have become innovative hubs,” Alberto Garlandini, president of the Internatio­nal Council of Museums, said in a video clip for the event in Wuhan.

“Under the most exceptiona­l and difficult circumstan­ces, museums have explored solutions to transform the emergency into a catalyst for change, developing new hybrid forms of cultural experience outreach and disseminat­ion.

“We need museums to make sense of our past, understand who we are today, and guide us to the future,” he said.

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