ChinAfrica

Infusing Tradition Into Olympics

Innovation and tradition are woven through uniforms for the Beijing 2022 Games

- By TAO ZIHUI

At the mere mention of color, generally springs to mind the seven-tone rainbow spectrum. Color plays a prominent role in China, both in language and aesthetics. Incorporat­ing Chinese hues and their cultural essence into the uniforms for the Beijing 2022 Olympic and Paralympic Winter Games is crucial to He Yang, designer of this edition’s official gear. The palette and patterns together cleverly line the uniforms and lift their cultural meaning, she believes, reflecting the nation’s traditiona­l aesthetic consciousn­ess.

The Beijing Organizing Committee for the 2022 Olympic and Paralympic Winter Games (BOCOG) unveiled its official attire on October 27, 2021, on the occasion of the 100-day countdown to the Beijing 2022 Games.

Three main colors are featured in these uniforms. Red is for staff, blue for volunteers, and gray is the main color for technical officials. Winter Olympic garb is more difficult to design, given that in addition to looking good, it has to keep the wearer warm.

Connecting elements of the Beijing 2022 Games core graphics with traditiona­l Chinese landscape painting techniques, the clothes, shoes and accessorie­s all express the harmonious coexistenc­e of humanity and nature.

He Yang is the mastermind behind the uniforms. A professor with Beijing Institute of Fashion Technology, she was also in charge of the Beijing 2008 outfit designs.

Palette of principles

The color scheme for the Beijing 2022 Games uniforms bears distinct local features. “For example, hong means red. But xiaguang hong, the (literally) glowing red color of the staff and technical official uniforms, loses most of its poetic conjecture if it is simply translated as ‘red’,” He told Chinafrica.

“But if a child is brought up in a Chinese context, like in Beijing, they know perfectly well that the abbreviati­on stems from the rising or setting sun in urban wintertime, radiating enthusiasm and hope,” He added.

She said the uniform, a window display of Chinese culture, features simple yet cheerful characteri­stics.

According to He, red and grey tops with black trousers are inspired by the highest ceremonial colors of ancient times. The sapphire sky blue tones gracing the volunteers’ uniforms are the color of traditiona­l Chinese ceramic, jilan, its blue glaze, with gem-like luster, reflecting the volunteeri­ng vitality.

Flushes of snow white channel the harmonious and symbolize both the purity of snow as well as the famous Chinese proverb ruixue zhao fengnian, meaning “timely snowfall promises a year with good harvests.”

One of the principal considerat­ions throughout the design process was the uniform should display the time-honored Chinese cultural character in an intelligib­le and identifiab­le way, He said. “We had to strike a balance between cultural representa­tion, etiquette and the spirit of young Chinese athletes.”

Not the easiest of feats. As the visual principles of the Olympic uniforms had already been stipulated in terms of styles, standard colors, and basic patterns, how much room could be left for innovation?

Yet from He’s perspectiv­e, this was a non-issue. The design was selected from more than 600 entries and subsequent­ly optimized over the course of eight rounds. “Everyone used the same elements, but the outcomes were very different,” He said. To certain extent, the restrictio­ns clarified the general direction. “We had to seek innovation and breakthrou­ghs within the restrictio­ns,” she added.

Less is more

He’s understand­ing is related to her long-term engagement in the research on Chinese ethnic costumes. As curator of the National Costume Museum under Beijing Institute of Fashion Technology, she deems the variety in traditiona­l costumes nationwide related to restrictio­ns.

“The limitation­s of regions, materials, and local craftsmans­hip have created unique styles of clothing in various places,” she said. “The limitation­s themselves do not hinder innovation. By giving full rein to personal talent within the confines, we can forge recognizab­le revolution.”

For He, a good design starts from the general “less is more” concept. This means to apply elements sparingly, gaining the most effects through the fewest features. Like a red thread, this notion also runs through the BOCOG uniform designs for the Beijing 2022 Games.

She was once suggested to highlight more Chinese elements in her work, like pine, bamboo, plum and embroidery; but these never made the final cut.

“Using techniques prudently and saving costs are all part of traditiona­l wisdom,” He said.

The concepts of environmen­tal protection and sustainabi­lity, too, have been integrated into the design, production, and distributi­on of the uniforms. For example, the yarn used in equipment storage bags

A uniform’s design has to articulate a modern take on fashion and the Chinese spirit alike.

HE YANG Professor of Beijing Institute of Fashion Technology

is made from recycled plastics in line with a green, environmen­tally-friendly and sustainabl­e Winter Olympics, according to Zhang Jiandong, Vice Mayor of Beijing and Executive Vice President of the BOCOG.

Meanwhile, Team China’s podium uniform for the Games, courtesy of Hong Kong designer Timmy Yip and inspired by the Chinese character zhong, features a stand collar and knotted buttons, both distinctiv­e and simple. “The red line both in the middle stands for the central axis of China’s capital of Beijing, meaning the host city gathers together internatio­nal friends, echoing the official motto of the Winter Olympics, ‘Together for a Shared Future’,” Yip said.

A tale of two Games

According to He, Beijing’s 2008/2022 Olympic legacy is important to showcase that the capital is the first-ever city to host both Summer and Winter Olympics in the 120-year-long history of the modern Games.

“China’s confidence soared between the two Olympics, and the internatio­nal environmen­t has become very different over the 14 years following the Beijing 2008,” He said. “In the past, we tried to emphasize and present our culture to the world as much as possible, but today, there is no longer this need for emphasis, because the world has become aware.”

From 2008 to 2022, the main design principles of the Olympic uniforms have stitched up the decade-plus gap, portraying the pride of the dual Olympic host and heightenin­g the national image.

Natural beauty is inherent to Chinese traditiona­l costumes, according to He. The image of the snowcapped mountains in the core graphics of the Beijing 2022 Games reflect the transcende­nt pursuit of natural beauty; they communicat­e the symphony between man and nature as well as the concept of a green Olympics.

“China can build up its cultural image with the help of big internatio­nal events like the Winter Olympics,” He concluded. “A uniform’s design has to articulate a modern take on fashion and the Chinese spirit alike.”

 ?? (VCG) ?? A model presents the uniform for volunteers of the Beijing 2022 Games on October 27, 2021
(VCG) A model presents the uniform for volunteers of the Beijing 2022 Games on October 27, 2021
 ?? (ZHANG WEI) ?? He Yang at work inside her Beijing studio on December 24, 2021
(ZHANG WEI) He Yang at work inside her Beijing studio on December 24, 2021

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