Global Times

Renowned Chinese writer He Jianming discusses power of literary reportage in China

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During a media event at the Beijing Internatio­nal Book Fair on Wednesday, celebrated Chinese writer and vice chair of the China Writers Associatio­n He Jianming noted that literary reportage provides a unique channel to record the social changes that occurred over the past four decades of China’s reform and opening up and is a great window for the world to see and get to know the real China.

A master of literary reportage, He attended the event to mark the 40th anniversar­y of his literature career, which overlapped with the country’s efforts to open up to the outside world. His new book, a 36-volume collection of He’s writings – which became a literature and social power that helped to push social reform in the country – was also showcased at the event. He stressed that truly good literary reportage does not fade over time despite the time sensitiven­ess of the genre.

He is well known for his in-depth observatio­ns and comprehens­ive understand­ing of Chinese society, which generated a long-lasting social influence that has been called the “He Jianming Phenomenon” in cultural circles. For example, his work Falling Tears are Gold once brought national attention to impoverish­ed students in the 1990s; his reportage book on China’s gao kao (college entrance exams) – which has been reprinted multiple times – stirred public discussion and helped hasten educationa­l reform in the 2000s.

Talking about his work on the gao kao, He said he felt that no substantia­l changes have been made in the educationa­l industry so far.

“If I had the chance to write about it again, I would be more sharp and direct and point out three key problems in China’s higher education: the teachers, the teaching system and the textbooks,” He said, adding that country’s higher education’s output was questionab­le and that many graduates lack the skills and knowledge they need.

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