ENERGY AND CONFIDENCE
► ‘Kinky Boots’ encourages Chinese drag queens to ‘be themselves’
Sign language interpreters swung their hips and gestured at deaf audience members to the rhythm of a rollicking performance by drag queens singing and dancing on stage behind them.
Nothing surprising for a Broadway show, except this is China.
The Tony award-winning musical Kinky Boots has broken new ground in the socially conservative nation.
The show has filled seats in theaters in Beijing, Shanghai and Guangzhou, lighting up audiences there.
It also has reached a broader audience than usual in China: Kinky Boots was the first musical to offer sign language interpreters for the hearing-impaired in the country.
“It’s very inspiring because for many years for me as a deaf person, subtitles were the only thing available in a theater. But now I’ve got access to the whole show,” Yang Junhui told AFP at a recent performance in Beijing.
Interpreters memorized the entire show and never looked back at the stage as they translated the musical for the deaf audience, matching the gestures of the rhythm of the music and the dance moves.
They hugged at the same time as the performers, made forlorn faces when a character’s heart was broken, and extended an inviting hand followed by a fist pump when the drag queens sang “everybody say yeah!”
“We really hope to make [shows] more accessible, to engage the deaf in various kinds of social settings and let them enjoy the same level of joy as I do,” interpreter Tang Wenyan told AFP.
‘Believe in yourself’
Kinky Boots, whose music and lyrics were written by pop veteran Cyndi Lauper, wrapped up its twomonth China tour on Sunday – a long run for a country where censors often frown upon gay entertainment.
China decriminalized homosexuality in 1997, and withdrew it from its list of mental illnesses in 2001. Same-sex marriage remains illegal.
Kinky Boots tells the story of a shoe factory worker who saves the business from bankruptcy by teaming up with a drag queen named Lola who wanted red, thigh-high stiletto boots.
Lin Jianhao, a fan who saw the musical seven times, went to the show dressed up in a skirt, heels and a wig and wearing makeup.
He said a character like Lola who “dares to be herself despite misunderstanding or bias from others” makes the show easy to accept even for people who have not been exposed to transgender culture.
“The Kinky Boots crew members gave me energy and confidence. They even encouraged me to audition for the show in New York,” Lin said.
“They told me that nothing is impossible in this era, believe in yourself.
“More importantly, during this process, I came to realize how difficult life can be for a transgender and a drag queen,” Lin said.
“Everyone should believe that they can be themselves.”
‘Love and acceptance’
Away from the large theater that hosted Kinky Boots, Chinese drag queens perform in dimly-lit local nightclubs where they do their makeup and hair themselves.
Chinese drag performer Charlie Van de Ho is among a handful of drag queens who put on a show every Wednesday night at a local club in a bustling Beijing bar street.
Kinky Boots can “bring something new” to the country, Charlie said.
“Let people realize that things in the world are diverse, not that unitary.”
On a recent evening, dozens of people cheered as the drag queens lip-synced and danced to Christina Aguilera songs.
Jos N. Banks, who plays Lola in Kinky Boots, said it was a “beautiful thing that this culture” was getting a spotlight in China.
“It’s a story about love and acceptance,” Banks said of Kinky Boots. “And that’s something that we all need.”