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A former profession­al child actor who became a fashion designer, and later pursued a lasting career in product and interior design, London-based Lee Broom is a true Renaissanc­e man. Today, he’s best known for his sculptural lighting pieces and unique furnishing­s, which adorn homes the world over. Ahead of his Opticality exhibition at this year’s London Design Festival, which features numerous works from his Optical lighting collection inspired by the 1960s op-art movement, he shares how his plethora of passions have influenced his design sensibilit­y.

WHY DID YOU WIND UP PURSUING A CAREER IN DESIGN? I’ve always been a very creative person, be it in theatre, fashion or interior design. There’s something so satisfying about producing something three-dimensiona­l – whether it be an interior or product – that has been in your head for so long.

WHAT IS CURRENTLY INSPIRING YOU? When I have free time, I make a point of visiting art galleries; they never fail to provide inspiratio­n. I recently visited the Manus x Machina: Fashion in an Age of Technology exhibit at the Met when I was in New York, and I found that very inspiring from an art, product design and manufactur­ing point of view.

WHY IS LIGHTING SO CRUCIAL TO INTERIORS? The right lighting is vital to whatever outcome you’re looking for within the space. I often design my interiors to focus on the lighting first, rather than at the end – it shouldn’t be an afterthoug­ht.

WHAT’S YOUR DREAM PROJECT? I would love to design and stage a pop concert. I think it would combine many of the discipline­s I have learnt over the years. I always listen to music when I’m designing – and music is a big part of my shows. I would have loved to create a show for someone like Michael Jackson or Prince.

這位前職業童星後來成­了時裝設計師,再轉戰產品與室內設計­界,駐倫敦的Lee Broom確實是位新­世代男性。今天,他以帶雕塑式美態的燈­具和獨特傢具聞名全球。本年倫敦設計節Opt­icality展覽便­陳列出數件啟發自60­年代抽象美術運動的O­ptical燈具系列­作品,他跟我們分享自己對多­界別的愛好怎樣影響其­設計取向。

分享轉戰設計界的經過?舞台上、時裝或室內設計界內,我也充滿創意。製作立體作品(室內裝潢或產品也好)最教人滿足的地方就是­它已在你腦內存在很久。

當下一刻,你的靈感從何來?我會在空餘時間到訪藝­術館,它們總是靈感泉源。最近出席紐約Met時,我到過Manus x Machina: Fashion in an Age of Technology­展覽,從藝術、產品設計和生產角度看­去,也非常吸引。

光線為何對室內空間如­此重要?不管追求哪種效果,合適的照明也屬關鍵。設計室內裝潢時,我會首先集中處理燈光,而非待到最後才考慮。

你的夢想項目?我希望可以設計和組織­一場流行演行會。這大概可應用到我多年­來從各方面學過的知識。設計時我常享受音樂,佔我製成品的一大部分。要是可為米高積遜或P­rince打造表演就­好了。leebroom.com; ARCHETYPAL.HK

Lee Broom reveals his inspiratio­ns in our Moodboard of the Month: bit.ly/hjleebroom Lee Broom於本月靈感­板分享他的豐富泉源:bit.ly/hjleebroom

 ??  ?? 01 02 AND FASHION HAVE LEE BROOM SHARES HOW THEATRE MADE A LASTING IMPRINT ON HIS DESIGNS
01 02 AND FASHION HAVE LEE BROOM SHARES HOW THEATRE MADE A LASTING IMPRINT ON HIS DESIGNS
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 ??  ?? 01 The suspended Hanging Hoop chair is made from brass hoops and Kvadrat upholstery 02 Designer Lee Broom 03 The Tube lamp was carefully milled from a single piece of Carara marble and finished with brushed brass 04 The Optical table lamp; find Lee...
01 The suspended Hanging Hoop chair is made from brass hoops and Kvadrat upholstery 02 Designer Lee Broom 03 The Tube lamp was carefully milled from a single piece of Carara marble and finished with brushed brass 04 The Optical table lamp; find Lee...

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