LET THERE BE LIGHT

The gallery-like space of the living room is lit evenly from above by dual skylights.

光明天地

藝廊似的客廳空間上方設有雙天窗，湧入均勻光線。 and her family moved into their current home, that she was able to apply her signature aesthetic in its entirety. The seven-month-long renovation process which followed saw the original four apartments on the floor consolidated into a revelatory 2,200-sq-ft space awash in subtly textured concrete and ashened metals. "I like a very quiet mood," says Peggy. "The greys are not a sad grey, they’re quite warm." Natural light formed another pillar on which she based the design of the five-bedroom flat, and it is welcomed in abundance via two skylights installed at either end of the main living space that allow daylight to penetrate deep into the interior.

The atmosphere is slightly monastic, that is, if monasteries boasted an enviable collection of contemporary art and mid-century sculptural furnishings. A quick sweep of the living room reveals modernist light fixtures from French industrial designers Serge Mouille and Charlotte Perriand, Mariano Fortuny’s cinematic Pallucco floor lamp, chair designs by Harry Bertoia and Charles Eames,

設計師在巴黎花了十多年時間研習室內設計，後於2008年搬來香港，同年設立自家工作室，直至5年前和家人搬入這個居所，終於能把心中所想盡情展現。裝修工程長達7個月，她把同層原有的4個單位打通，打造出一個由質感豐富的混凝土和淡色金屬組成的2,200呎寬闊空間。「我很喜歡寧靜的格調。」Peggy指出：「這裡運用的灰色不帶傷感，反而散發出溫暖感覺。」自然光是這個5房居所的另一重點元素，大量日光自主客廳兩端的天窗引入，照耀著室內每個角落。

假如修道院也會擺放當代藝術品和中世紀雕刻傢具的話，這兒就是不折不扣的代表。環顧客廳，你會找到法國工業設計師Serge Mouille和Charlotte Perriand的現代主義燈飾、Mariano Fortuny那