The Great Outdoors

Just before the pandemic struck, I was in London for a short stay. Overwhelmed by all the ornate structures and decorative façades that lined the streets, it was a humble Japanese Zen-filled enclave tucked away inside Holland Park that left the deepest imprint.

At first, I failed to notice its name – Kyoto Garden (it is subtly inscribed in a stele by the entrance) – because of its shrubs and water features. The winding stone pathway, surrounded by crisp birdsong and trees, was dotted with empty spaces where a pair of peacocks were roaming free.

This calming experience is courtesy in parts to a traditional Japanese aesthetic philosophy called “MA”, which insists upon leaving a void, or a space, between two things – be it an object, a space, or even a human relationship – which is meant not to divide, but to connect. The notion of “MA” penetrates most parts of Japanese culture – from the blankness of a painting, to the subtle symbolism in literature, to the interval in a space.

The beauty of space is well demonstrated in one of the Tokyo homes featured in our cover story. Shrouded in lush greenery, the tranquil retreat masters the art of “MA” to allow its occupants enough space – both outdoors and indoors – to contemplate, reflect and recharge. So also does a three-storey dwelling in Deep Water Bay that boasts a coveted and generous backyard, which is widely left unadorned to make room for greater flexibility.

In this issue, dedicated to everything the great outdoors has to offer, we also transport you deep into the wilderness of the Kruger National Park; and go off track to a mesmerising hotel in the lovely seaside town of Hermanus in South Africa that rests amid a range of rare plants. And, with the sweltering summer looming, we have also curated a blissful collection of furniture and home accessories in joyful hues which promise to turn your home into a breezy urban oasis.

We hope you enjoy the issue.