「注释」

①吴飞、陈艳：《中国国家形象研究述评》，《当代传播》2013年第1期。

② Eraser, S. E. The Face of China: Photography's Role in Shaping Image, 18601920. GettyResearchJournal, 2010, 2.

Rosenmeier, C. Women Stereotypes in Shi Zhecun's Short Stories. Modern

2011, 37(1).

Chen, E. Fashioning the Cosmopolitan Girl: Sa r tor ial Display and Technologies of Femininity in the Chinese Bestseller Du Lala. Fashion

2013, 17(5).

Wue, R. The Mandarin at Home And Abroad Picturing Li Hongzhang. Ars

2013, 43.

Song, G., & L e e, T. K. "New Ma n" a nd "New La d" wit h Ch i nese Characteristics? Cosmopolitanism, Cultural Hybridity and Men's Lifestyle Magazines in China. AsianStudiesReview, 2012, 36(3).

Zhou, Y. X. Chinese Queer Images on Screen: A Case Study of Cui Zi'en's Films. AsianStudiesReview, 2014, 38(1).

Tarantino, M., & Carini, S. The Good, the Fake and the Cyborg: The Broadcast and Coverage of Beijing 2008 Olympics in Italy. International

2010, 27(9-10).

Syed, N. A. The Effect of Beijing 2008 on China's Image in the United States: A Study of US Media and Polls. InternationalJournaloftheHistoryofSport, 2010, 27(16-18).

Hsu, C. L. The city in the school and the school in the city: ideology, imagery, and institutions in Maoist and market socialist China. VisualStudies, 2008, 23(1).

Schreibman, S., Siemens, R., & Unsworth, J.

Malden: Blackwell Publishing, 2008.

Boyd, D., & Crawford, K. Critical questions for big data: Provocations for a cultural, technological, and scholarly phenomenon. Information,

2012, 15(5). A companion to digital